Anyone tried both and if so what do you prefer?
Tweet
As to heavy rubber mutes, I've had 3 or 4 and find that there is quite a lot of variety among them, so if you only have one, you may find it worth buying a few more, all different, to see which you prefer, since they won't break the bank.
However, it is possible that the perfect mute design has not been discovered yet. Some friends were discussing the differences between fixed, floating and violin bridges, and I quickly looked up some stuff on the violin bridge - it seems that it operates at low frequencies as a lever pivoting on the soundpost, but has a resonant frequency, broadband, I assume, at about 2KHz to boost the highs. We all know that mutes don't really mute - they change the tonality - i.e. stop the bridge from resonating, but this may mean that it has no effect on how our neighbours perceive our playing. I suspect that a mute has no effect on lows, but I may be wrong. So something that attenuates all frequencies (not equally - that would just make it sound like a quiet violin - it would have to attenuate the lows somewhat and the highs more - the altered tonality is part of the attraction of a mute) may still await discovery.
https://www.viowiess.com/shopindex/pm
That's all that I use now.
This discussion has been archived and is no longer accepting responses.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
Coltman Chamber Music Competition
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine