Tygon Fuel Tube/Hose - Plane Car Engine Mower Petrol 2mm 2.4mm 3.2mm 4.8...
SKU: Length: 0.25 Metre (25cm), Size (Internal Diameter): 4.8mm
Total: £5.60
Order number: 07-09305-15907
Item number: 251443636184
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Paul, please note my punctuation - tut-tut is not a brand - It's my admission of being a megasloping-shouldered, second-class citizen in this community (The Kreddle chinrest did nothing for me). This is the first I hear of the Invisirest or the Phantom Adjustable (or Original)!
I think this tubing would be suitable for several makes of shoulder rest (I'm using bon musica at the moment - it can come off).
Yeah, I did check out Wolf's replacement parts - way too expensive for an off-the-shelf gauge of tubing.
Now that that's done with and you've accepted what you are:
I'm guessing the rubber on your Wolf wears out quickly because you have to put it on super tightly for it not to slip, especially as the rubber ages.
I've created an invention that prevents SRs from slipping. Because of this, the SR no longer has to be put on tightly, and the rubber will last much longer (in addition to being just as effective when it's no longer sticky). So, when that's available, it might help (especially with Wolf Secondos, as they are by far the most insecure rest I've seen, despite all their benefits).
However, there is another solution that I would recommend: buy Everest feet. They have a much more permanent rubber coating on them. I have never seen it wear down. Yes, it will become somewhat less sticky over time, but it won't rip. It also makes the Wolf much more secure, since the feet have a more substantial "hook" to them as opposed to the stock Wolf feet. Yes, they've expensive, but I'd say it's worth it. Keep in mind, you might want the "Extended" feet to match the longer length of the Wolf screws, but that depends on how low your SR usually is.
For reference:
Everest foot screw size: 0.151"
Wolf foot screw size: 0.153"
Kun foot screw size: 0.161"
I'm surprised that the Bon Musica's rubber has worn down! I recall that it uses a vulcanized rubber, so I assume you may be really be cranking that thing on to the violin so it doesn't slip? How long did the rubber last before it needed replacing?
I actually have no idea if Everest feet fit the Bon Musica. I've never had a student whom had issues with the Bon Musica's feet wearing down, so I've never tried fitting different feet on it.
Not to keep plugging my invention, but if your feet are wearing down because you feel the need to put on the SR very tightly, it would solve that problem. In fact, with it, you could just plasti-dip the feet for a permanent coating, since the stickiness of the rubber no longer has a role in how secure the SR is. However, it will be close to $30, so probably not worth it just to save a bit of money on rubber. But it might be worth it if you're tired of the SR slipping, or feel like you're limited in what positions you can securely attach it.
I dropped 2 different violas in my teens, due to exactly what you're describing... funny thing is I went years without that problem, because I wasn't shifting above 3rd position, and I wasn't doing much vibrato. After that happened, I totally changed my form and became much more tense for many years. That fear in the back of my mind certainly held me back.
My opinion is that SRs should be as predictable and secure as chinrests are. Note that no one ever even *thinks* about whether their chinrest is going to move. Meanwhile, it's not uncommon to see players at a high level constantly "testing" their SRs as a sort of nervous habit, especially at competitions. This habit is almost certainly a result of them having a bad experience in the past.
In their defense, it appears they have modified the attachment system to be somewhat better, which is nice. (but I can't vouch for how much better it works).
My invention, however, is nothing like what is available on the market. It is not a full shoulder rest, but rather something you attach to your current SR to allow it to be securely placed in any position. In this way, you can still have what you're used to, but with the added trait of it never slipping, regardless of what position you put it on the violin.
I use a thin, flexible piece of dyed leather (deep brown, fast-dyed pig-skin) to protect my violin from it's owner. I fasten it to the underside of my KUN should rest, and flop it over the top of my chin rest each time before playing.
It took a couple of tries getting the shape right. On the KUN should rest, the two risers that grip the violin are bolted onto the underside of the shoulder rest via two nuts. (This makes the risers adjustable.) I fasten the leather to the shoulder rest by placing it between the should rest and these two risers. I punched two holes in the leather to fit over the top of the two bolts. (Used a 3-hole paper punch.)
This works great. The leather makes the chin rest more comfortable. (Soft and nice.) The smell of the leather kind of enhances the whole experience. Nor is it necessary to glue anything to the chin rest to get the same effect. (The leather is non-slip on the chin rest.)
Eventually, perspiration will have it's way, so I cut another piece of leather using a template that I have. In purchasing the leather, I had to buy an entire pig-skin. So, I have a lifetime supply.
Beats placing a handkerchief over the chin rest. (In my view.)
I use a thin, flexible piece of dyed leather (deep-brown, fast-dyed, pig-skin) to protect my violin from it's owner. I fasten it to the underside of my KUN should rest, and flop it over the top of my chin rest each time before playing.
It took a few tries getting the shape right. On the KUN shoulder rest, the two risers that grip the violin are bolted onto the underside of the shoulder rest via two nuts. (This makes the risers back and forth adjustable for different sized violins.) I fasten the leather to the shoulder rest by placing it between the should rest and these two risers. I punched two holes in the leather to fit over the top of the two bolts. (Used a 3-hole paper punch to punch each hole.)
This works great. The leather makes the chin rest more comfortable. (Sort of soft and nice.) The smell of the leather tends to enhance the whole experience. Nor is it necessary to glue anything to the chin rest to get the same effect. (The leather is non-slip on the chin rest.) My violin has a dark, orange-brown varnish, so the leather looks really neat with the violin.
Eventually, perspiration will have it's way, so I cut another piece of leather using a template that I have. In purchasing the leather, I had to buy an entire pig-skin. So, I have a lifetime supply.
Beats placing a handkerchief between the violinist and the violin. (In my view.)
I know I'll be using it... I want my SR to be closer to my collarbone but even with its sticky rubber I know it will eventually slip.
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