They typically use electric violins, although some use acoustic electric ones. They do not actually play, but pretend to do so. They use battery powered amps to play recorded violin music.
Violins usually do not get much exposure. Do you think this sort of thing is still positive for the instrument?
I suppose it increases sales of electric violins if nothing else.
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I think faking it is ridiculous but only makes the "musician" look bad, not all of us as a whole. IME people can see a solid musician when they see one, though they may not understand what they're hearing. Not to flatter myself—that's literally what people said to me.
I first saw the guy while having lunch on a restaurant patio, where I could see that his bow changes were not quite matching the notes, and his left hand wasn't moving at all. I sat long enough to see he was "playing" the same five songs on loop. When I was walking back to my car and got closer to him, I also saw that he was changing strings in the wrong direction a lot of the time. I found it especially offensive because I've regularly seen a real violinist busking not very far away, which makes it likely that this scam artist was taking money that would have gone to the real violin busker.
The second time I saw him was five days later, in the same parking lot, except this time I had my viola with me because I was stopping for lunch on the way home from a dress rehearsal. I didn't confront him. Standing next to my car about 50 feet away from him, I pulled out my viola and started playing an improvised harmony line. Within 10 seconds, he had stopped playing and started hastily packing up. Then it got even weirder. He started coming toward me, holding up a violin bridge, saying it was broken and asking me to help him out by giving him mine (?!), which further proved to me that he had no idea what he was doing. As far as I could tell, it was his excuse for his sudden inability to play.
The Police in Montgomery County, Maryland recently sent out a public message warning people about this subject.
Curious about what you would recommend as a busker playlist. I once read somewhere that you want to play a tune/song cycle so that the crowd comes, listens, drops cash and then moves on. Rotation of the crowd is important. Maybe Mr Bell thought he was giving a recital and wanted them to stay
Any tips would be appreciated
- Most people (99.95%) will *not* stop and listen, so recognizable music is best
- You want palatable music that is harmonically reachable for the average person (solo Bach is like singing to people in a language they don't speak... stick to I, IV, V and vi)
Classical music is fine, but it must be the hits. Actually all I played was eine kleine and the Bach air, plus some hornpipe. Solo arrangements ofc.
- I had the most success playing in places where people were already spending money, which in my area is grocery stores and shopping centres.
- Smile, make eye contact, and say hello! If you can learn to say thank you while you play, people respond very well to that.
- I don't know if this helps or not but I dress nice when I busk. Not too fancy, but I comb my hair and tuck in my shirt. I think people like to see that I make an effort. You might get pauper points if you look old and sickly, but I am young and can't really pretend to be unhealthy.
I think Bell expected it to be sorta like a concert hall like you say. Thing is, people are busy, and many have very simple taste. The average person is not the average concertgoer... if they want anything from a busker it's to feel uplifted for a brief moment by a shining talent with a smiling face, not drawn into a dark harmonic labyrinth.
Back in my youth I did busk and did pretty well out of it. I was not playing Bach however. Playing Bach in a busy street is a bit like feeding a truffle to an elephant! I did also do the London Covent Garden string quartet thing for a while. That is in a courtyard and well known classical hits did well.
The faker violinists I heard were miming to music that was studio recorded and mixed. The music sounded good from a distance even if they weren't playing it themselves. As far as what people are hearing, they are at an advantage compared to a lot of live performers playing without amplification or with bad setup.
(My grandson is the guitarist on the right in the photo in the attached link - by now they have 3 professionally recorded CDs - the "Steep Ravine" Band dis-banded over 3 years ago.)
Before they were STEEP RAVINE they had formed in Santa Cruz, CA as "the MAPLE STREET 5." That really is BUSKING!
https://www.youtube.com/watch?v=9bXyTc72nfw
My favorite story was when a cop made my grandson, Simon Linsteadt and the violinist, Jan Purat, stop busking in the town square (essentially threatening misdemeanor and chasing them out) - something they would do at lunchtimes while they were in high school together. I once encountered that same nasty cop when I was in my 70s and jaywalking - and he treated me the same nasty way. Purat, who is a few years older than Simon, went on to get his degree in Violin Performance at UC Santa Cruz. Simon followed him there, but after one year (and Jan graduated) they put together their Steep Ravine band and that's what they did for at least the next 4 years. My grandson finally accumulated his credits from UC SC, the Jazz School Institute, and one year at New York's "New School" to earn his degre3es in music and film.
All their recordings were of their own compositions, but if you can find aYouTube of some of their live performances (especially of a couple of Django Reinhardt & Stéphane Grappelli favorites) you will find some "bluegrass jaz" the equal of the masters.
"STEEP RAVINE" is a canyon in western Marin County, CA running down Mt. "Tam" to the Pacific Ocean. A favorite spot for hikers and campers:
http://www.redwoodhikes.com/Muir/SteepRavine.html
I'm curious if the cop you're referring to was in Santa Cruz? It wouldn't surprise me; I've spent enough time in that town and heard enough stories. They're completely over the top there. You never really see buskers in downtown anymore (or any other kind of artists). If you setup there, it's guaranteed the cops will show up within minutes and run you off.
It wasn't so bad for a while in the mid 2000s - I played down there myself quite a few times and never had an issue.
I often examine the fake violin-playing in movies and shows. For instance, when Sherlock Holmes plays violin and his bowing is not matching the notes and he doesn't shift when it goes high. :-) That's what it is like watching fake buskers, slightly amusing.
I think that going out there and playing holiday carols, with a beautiful backing track, would be lucrative right now!
Here's Joni - who really should have got the Nobel with Dylan ;)
https://www.youtube.com/watch?v=CUo9C1vUt0A
The Joni Mitchel version:
https://www.youtube.com/watch?v=cRjQCvfcXn0
The Crosby Stills and Nash version:
https://www.youtube.com/watch?v=4lx86B6a3kc
"We are stardust"
"Caught in the devil's bargain"
"And we've got to get ourselves back to the garden".
He never did play Freebird....
Yes, one of the songs they played was "Free Bird".
I'm guessing that three of the band members were in their sixties or seventies, yet they put on a studio-quality live performance. We were most impressed!
The guitar solos in Free Bird lend themselves rather well to being played by a violin. Joshua Bell could do it.
The fake busker I saw was getting money from many of the people I saw passing by and could easily have raked in over $100 during the 45 minutes I watched him. The real busker I've seen in the same area, who was playing Kreisler's Liebesfreud when I last saw him, seemed to be getting much less.
Which is one of the reasons I pulled out my viola to see if the fake busker would be rattled by the presence of an actual string player. He was.
My orchestral leader (concertmistress?) occasionally called me to fill in for a sick colleague."No rosin"! She chose me as a good faker, without actually saying so…
The B&B had a spacious back garden separated from a large field of cows by a ha-ha (look it up!), and after lunch one afternoon I went out into the garden with my fiddle for some undisturbed practice in the open air. After a couple of minutes the herd heard me and ambled over to the ha-ha to investigate, standing there for the next quarter of an hour watching and listening attentively to my playing. Surely the best audience I've had, even if they didn't have a penny between them!
A couple of years later I was in Leuven (Belgium) visiting that side of my family and attending a fiddle workshop. I was crossing one of Leuven's big squares with my fiddle case when I heard some very loud fiddle playing coming from the opposite corner of the square. The music was obviously that of Eastern Europe and when I reached the violinist I could see that his violin had a trumpet-like amplifier attached. I stopped and listened and then we got chatting. He was from Romania, and English was just about the only language we had in common. His acoustic setup was entirely home-made and certainly delivered the goods to match his playing. He noticed my violin case and started talking about music. His music, very well played, was Romanian folk with some Hungarian, and my music was Irish, which he was quite unfamiliar with. So I took my fiddle out and played a couple of quick Donegal polkas and a jig, which he liked a lot. That was the closest I've ever come to busking. We parted the best of friends, a monetary token of my esteem of course passing from me to him.
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