I don't take private lessons, but I've had friends recommend I play Viotti's Violin Concerto No.23 in G Major and Meditation from Thaïs.
What pieces do you recommend I learn next? I've advanced quickly over the past year and can play in the upper positions well and have a nicely developed vibrato.
I'm not really in this world, but is anyone aware of scholarship funds that might be available from the school system or from private institutions, that can help pay for or supplement lesson fees for hardworking but underresourced students?
One thing I would ask is whether you are playing etudes, which, again, should be worked on with knowledgeable teachers, but you seem to be coming to a point in the repertoire where studying etudes is going to be a big driver of your growth as a violinist.
Here is the link to the Vivaldi G Minor:
https://imslp.org/wiki/Violin_Concerto_in_G_minor%2C_RV_317_(Vivaldi%2C_Antonio)
https://www.sharmusic.com/Sheet-Music/Violin/w-47-Piano/Vivaldi-Antonio---Concerto-in-g-minor-Op-12-No-1-RV-317-For-Violin-and-Piano-Edited-by-Ivan-Galamian-Published-by-International-Music-Company.axd
I didn't play the complete Partita only the Gigue which was a suggestion from my Orchestra Director. I have asked my Director for further recommendations, but as that would be qualified as Private lessons, I would be charged.
Thank you for the suggestion on the edition to buy, I will definitely try to get it as soon as I can.
Are any of you giving lessons possibly online or in the Texas area? What are the rates if so?
For Lydia, the E Major Gigue is the absolute easiest of all of the solo Bach movements although inexplicably in Texas it is considered a class one solo and I suspect that is why the orchestra teacher gave it to the OP. I would agree that it is at best equivalent to the Vivaldi a minor in difficulty.
If you are in an urban or suburban area, in my experience the biggest, most expensive private music school in your area is where you should go if you want to ask for significantly reduced-priced lessons, because the bigger outfits sometimes have small government grants to help them reach out to the less fortunate, and they have a vested interest in developing goodwill within the community. You just have to ask -- maybe a lesson every three weeks you can afford, and that's not ideal but it's one hell of a lot better than lessons never. (If your high school orch teacher is not a string player then that's basically the same thing as never.)
I had to chuckle when you said "the Texas area". That's like saying "the general vicinity of Western Europe."
As far as repertoire sequence, if you don't have a teacher, for goodness sake -- follow the Suzuki books. Do the Bach Double. Do the Handel Sonatas. Learn all the Seitz pieces. Then, get Volumes 1-2 of "Solos for Young Violinists" by Barbara Barber. Besides time-tested sequencing (which is not infallible on a student-by-student basis, but okay), you will save money this way because each book as months worth of work in it.
If you want to learn positions, scales, double stops, then I recommend the Whistler method books. They are probably the easiest to use on a DIY basis.
I live in Killeen, do you know of any teachers near me?
https://ks4.imslp.info/files/imglnks/usimg/9/96/IMSLP57892-PMLP113643-Paganini_Cantabile_Op17_Violin.pdf
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It’s always dangerous making recommendations without actually hearing someone play, but I usually teach the Vivaldi g minor following the a minor. Viotti 23/Thais are both too big of a jump in my opinion. Either the Vivaldi g minor will be the correct level for you and you can then follow it up with Viotti 23, or you will find it easy in which case you will learn it quickly.
Did I mention that I think you would be much better off with a teacher? There is absolutely no way to know whether you are playing with correct technique or not. Many people who are self taught end up with serious technical issues.