1. At the beginning of the second section, the second scale is B minor, written as harmonic with G and A#. I have no formal background in this, just a gut feeling that I'd have expected melodic with G# and A#. I've listened to a few recordings and am unable to discern by ear.
2. 7 measures later, the C is apparently sharp from the key signature, but it's clearly part of an A minor segment and has to be natural, which is consistent with what I hear in recordings.
3. I forgot to mark this but the first scale in the second section is apparently A major. I think I hear G# in recordings but am not sure. I'd have expected both scales to have the leading tone but there is no accidental written for the G#.
Would these be intended ambiguity, actual errors, would the musicians of the time just have known what was meant, etc.? How would I go about finding modern scholarly(?) edited parts? (I'm only familiar with student string orchestra repertoire sources.)
Similarly, does anyone have firmer information about Bologne vs. Boulogne? I've done some light internet research, it seems it may have been misspelled, case of mistaken identity that dragged on, translation/phonetic differences when entering English alphabet, or something, and multiple reputable sources and entities have it differently.Tweet
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