My violin doesn't sound like a Strad obviously, but it sounds OK when I play it, and I'm only an amateur. This means it would sound even better in the hands of someone highly skilled. It definitely doesn't sound like crap.
Here's a recording: https://voca.ro/1d8QkL3abEZe
EDIT:
Here's a recording involving all the strings: https://voca.ro/1bvclR2soIlG
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My one concern about a violin when the price of a new instrument is as low as $100 is the nonzero likelihood that it was made, at least partly, by slaves.
Because we choose to pay it. Like many here I stuck by this too and used Evah Golds (gold G) costing a small fortune. However, after a return to gut for a while I looked for a lower tension synthetic sufficient for long term lockdown. I am really pleased with the one I found, Warchal Ametyst (yes, Ametyst, not Amethyst, bit confusing) - and they only cost $35 a set. For full disclosure, however, I really like the Evah platinum E ($16; I have not actually tried the one in the Ametyst yet). These strings are not as loud but I find these low tension strings to be more responsive to nuances. Perhaps you will give them a try.
Where did they get the name 'Ametyst' from ?
[Can you order from outside Australia without excess duties?]
I have seen some terrible $100 violins. Like bricks, tuning pegs barely work, not set up properly. With such ‘instruments’ I am concerned that they are unplayable. I would not expect them to make a beautiful sound.
Strings have been mentioned. There are costs involved in playing the violin; strings, bow rehairing. There is a minimum cost for these. Many people opt for more expensive instruments so the money they invest in the strings and hair goes ‘further’ on a better instrument.
A violin can last longer than a lifetime. It is worth the investment.
On the not so good side (and of course this is to some extent technique dependent) the sound is 'pinched'. Its a bit as if you held your nose and sang! This is a common problem with the cheaper violins - but also often encountered in very expensive and/or 'good providence' (famous maker) instruments. One thing that will greatly improve the sound is a bit of vibrato - but once you have reached that stage you will inevitably try playing on somebody else's instrument and you will wonder why its so hard to make yours really sing.
However, (within the limits of your segment), as a starting instrument it really doesn't sound that bad.
@Elise Stanley, that is astonishing. I wonder if your teacher at the time really did repeat the stunt, and if anyone would have noticed!
The Warchal Ametyst and Karneol strings are both the same price. Has anybody compared the sound of the two : which are the warmer sounding strings ?
Tonicas are very stable in the tropical enviroment and they last a long time so it will be difficult to find a substitute.
Edited following Elise's friendly gibt-my german spell corrector has intervened.
I got my $100 violin from a friend in exchange for a stove. Nothing much, but playable. While jamming late one night at a bluegrass festival, one of the other players (who happened to be a luthier) noticed that my sound post was in the wrong place. Next day I went to his table and he fixed me up. I had to hold the violin firmly on the table while he stuck a chisel through an F-hole and whacked at it with a hammer - the sound post was glued in place! He made up a new sound post, positioned it where he figured it belonged, and my VSO sounded like a brand-new instrument. Best $40 I ever spent. It really liked the set of Tonicas I then put on, and is now a usable spare instrument.
I once tried a $100 mandolin. It was dreadful.
It's not Mote-zart, it's Moh-tsart!
Specially for British people - Emmenthal means Emmerdale (that's a joke, but it might actually be true!)
So that is the answer!
(now, what on Earth was this thread about? Oh, I remember! :-)
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