Buri, I agree with you: just because we like a vioinist's playing does not guarantee their "edition" will be useful. (for one thing...is it REALLY the artist's own fingerings?) Maud Powell "editions" have some of the strangest fingerings! I have always operated with the same logic you laid out: go with the best, most reputable publishers, as they tend to be most reliable.
Also, I recently returned to my old edition of the Mozart Concerto in G to help a student. I grew up with the Schirmer, and that was what I have always used. But for the sake of my student, I started comparing editions....and it was like....holy cow....the different bowings and articulations are wildly different. So, I'll just find an urtext edition, and make my own.
I like to look at different ideas from several editions....to make sure my ideas aren't too radical. I'm fine choosing my own fingerings, as those are SO individual. It's the bowings that mostly concern me.
AND...it would be nice to find an edition that does all my homework for me. (there, I said it...it was partly motivated by laziness!)
Thanks for the time in responding. Cheers!
Lora
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