I do enjoy Milstein's fingering though. The color change of the lower strings on the second beat enhances the dynamic change. It's an example of old school high risk high reward!
I found the video of Milstein’s last concert, which did feature the other way— and was not too enchanted, although it was perhaps easier to project more vigorously. Hard to say. Between his age and some close miking, the effect was a bit coarser than I would have thought. Shall look for an earlier recording.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
Violinist.com Business Directory
Violinist.com Guide to Online Learning
ARIA International Summer Academy
Johnson String Instrument and Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine
Of course there are many other solutions. Milstein does 2 4 (fourth position with a harmonic on the 4) on the second beat then 1 3 on the third beat. The thread in common is that you want to avoid consecutive fingers that have to quickly jump between strings.