I am really getting into more lyrical repertoire lately in an effort to bring my playing to that "next level" musically. I've elected to add Mozart 5 and the Brahms G major sonata to my daily routine.
I find that watching masterclasses is often helpful to me, so I was wondering if anyone has some good masterclass recommendations (specifically on playing lyrically; It can be any repertoire) and suggestions of pieces or exercises that really changed your playing musically.
If you have any recordings you really enjoy too, I would love to add them to my playlist!
Side note: I do have a great teacher already, and can work my way around the instrument well enough. I'm hoping that I can find some inspiration to just make things really click.
Thanks in advance! ☺️
Well if you want a good Mozart 5 masterclass watch the Ana chumenchenco masterclass on Mozart on Medici tv.
There is a masterclass with Zukerman on YouTube for Mozart 5 I believe. I haven't watched it, as for me he plays classical too romantic if that makes sense. But it should be good either way
That masterclass is spectacular, one of the best I’ve ever seen. Zukerman plays in a romantic way but the discussion of sound is so spectacular. I always prefer beautiful to correct if it can’t be both and he may not be “correct” but it is the most beautiful Mozart I’ve yet heard.
Mark, Zukerman is one of my overall favs. But as I say, his Mozart is not my cup of tea. My first exposure to his concertos was Mutter. But my go to recently has been Grumiaux
Zukerman and Vengerov masterclasses for sure!
The Menuhin Competition posted a number of their masterclasses from the 2018 competition which can still be found on Youtube. Pamala Frank's materclass includes the Brahms G major:
Mark Kliesen, I would even argue that in some ways Zukerman could be more 'correct' than others. At least when he is trying to communicate a singing style, he emphasizes diction, a focused 'nasal operatic sound' close to the bridge, and is careful to vibrate inconvenient notes (since singers don't have to deal with weak 4th fingers or awkward shifts in the same way). He also is not afraid to play singing lines in the upper positions of the lower strings, in order to broaden the tone colour spectrum and not be constantly breaking registers, as well as utilise glissandi to better connect larger shifts.
Whatever Zukerman says about sound, everyone should listen. I've never heard another violinist live with such a sound, even if I found his interpretation phoned-in and boring.
But this is still violin music, not an aria. If you look at treatise from the period on playing, Zukerman is most certainly not preforming how those violinists would have. And if you listen to a period singer, like dame Emma Kirkby, the tone is beautiful and shaped but often without vibrato.
I absolutely agree that Zukerman is certainly not performing how those violinists would have. Perhaps in this case I just don't equate the word 'correct' with being 'historically accurate'. I think beautiful could also mean correct, in fact anything that moves the heart can be considered correct. If in 100 years anyone would perform my pieces (not likely lol), then as long as they touch the hearts of others, for me it is correct.
I love Zukerman playing anything. Everything about his playing conveys what I am listening for in music.
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