This link just seems to go around in circles
http://www.senza-basso.info/en/search/publisher/Jean_Andre
Incidentally, the Rode "24" progress through 24 keys, so if you want to work on something in six flats, it's there waiting.
From the title we can learn that it is position and shifting studies.
2, 5, 3, 6, 9, 7, 4, 8, 10, 15,
11, 16, 14, 17, 13, 18, 12, 22, 29, 27,
19, 24, 21, 25, 20, 1, 23, 26, 28, 30,
31, 34, 35, 36, 37, 33, 38, 39, 32, 42, 40, 41.
This is, of course, just one person's suggestion and is not an absolute. There is no reason why the order couldn't be changed here and there to suit a pupil's requirements. But note the sensible placement of Etude 1 in the list.
I remember in one of Heifetz's recorded TV master workshops back in the '60s, at the end, as he was about to put away his violin, he ordered one of the advanced students (who had doubtless worked on all 42 Etudes at some time) to go home and work on Etude 4, presumably to cure shortcomings that Heifetz had perceived in the student's execution of up bow staccatos.
Btw, were Paganini's Op 1 caprices ever performed in public in his time, by him or anyone else?
But Ricci was not the first to treat them as performance pieces, we have documentation of Sivori, Ernst, David, Joachim etc that performed them during the 18'hundreds.
Ricci was not even the first in modern times, even if some claim that he was the first to perform the complete 24 without piano accompaniment.
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