As far as the conventional set goes, I thought they had lovely sound, interesting character, etc., and weren't at all fussy in setup and tuning. After a while, I did replace them with my first set of Warchal Timbres, on the maker's recommendation. Just changing the G string to Timbre was a huge improvement that added strength without altering the character of the sound. The rest of the Timbre set generally lives up to its billing, although it wasn't a major additional improvement to add D, A, and E.
The main reason I'm asking about other SuperSolo options is that I have a good older instrument that responds much more happily Eudoxa than Rondo or other synthetics, and I'd bet that its 50-year-old bridge would be just the thing to cope with the relaxed tensions of the SuperSolo set. (FWIW, when it came from my grandfather's attic, there was a round tin box in the case that had a couple of plain gut strings along with some others. I've never asked a luthier to crank the whole thing up to accept EPs.)Tweet
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