I notice in the tip section a Dampit is recommended in dry conditions. I may be wrong on this but I am personally very against such devices. I have seen photos of a cello that was damaged by repeatedly having water in the isntrument- Dampit too wet. I personally concluded from this that in the lonmg run the same might well happen in a violin. Nor do I like the ide aof pulling somethign in and out of the f holes. maybe I am over emphasizing the dangers but I note that great violnists of the past fdid not have to use them. Heifetz considered a glass of water near the case adequate. And withmodern measuing devices and room humidfiers or dries it seems a compeltley pointless risk.
Interesited to here if my rejection of said device is supported by makers experience...
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