One of my adult fiddle students, who has a great ear and very reasonable (and improving) technique didn't sound so good playing two-string doublestops. His tone and intonation both deteriorated.. When I mentioned my observation,he said he was paying thinking too much about the bow, because he needed to use twice as much weight to make two strings work. Some quick demos convinced him that it is a matter primarily of changing the plane at which the bow glides and keeping the hair flat on both at the same time. An instant improvement, and something really positive to go home and work on. Any similar experiences?
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