|Member Since:||September 20, 2012|
|Last Visit:||January 16, 2021|
Over the past seven years, Dorian has established himself as an authority on the works of Mozart, whose operas he “brings to life” with “unquestionable theatricality”, “palpable passion” (Opera Today) and “ingenious recitative accompaniment” (Counterpunch), all the while “treading the line between joy and sadness” (Opera Now). His 2012 production of Così fan tutte (London, Hampstead Garden Opera), which featured improvised ornamentation and cadenzas, was recognised by the OffWestEnd Awards as the “UK’s Best Opera Production” that year. He has served as a guest music-director and conductor with ensembles on both sides of the Atlantic, including Musica Poetica London, Hampstead Garden Opera, Sinfonia New York, Underworld Productions Opera, and others.
When not conducting, Dorian maintains a thriving career as a performer on early violins and keyboards. His “spectacular violin playing” (PlanetHugill), marked by “sensibility and virtuosity” (Musical Pointers) and has charmed audiences in venues ranging from London’s Wigmore and Cadogan Halls to Amsterdam’s Concertgebouw and New York’s Symphony Space. He spent four years as leader and co-director of Musica Poetica London, and has been a guest concertmaster/soloist with Sinfonia New York, the Amphion Consort (London), Musical Offering (Boston), and other groups across Europe and North America. He is also an experienced harpsichordist and fortepianist, with a repertoire including suites by Bach and Handel, concertos by Haydn and Mozart (with improvised cadenzas), and Schubert’s song cycles.
In addition to his performing activities, Dorian is increasingly in demand as a teacher and educator. In Spring 2015 he gave an acclaimed lecture-series on Mozart and Beethoven, which he repeated, by popular demand, the following summer. He has coached students and taught masterclasses at the Longy School of Music (Cambridge) and the Colburn School of Performing Arts (Los Angeles); he also maintains private vocal- and instrumental-coaching studios in New York, Boston and Los Angeles. With art historian Ruth Ezra, he led a popular series of gallery lectures at Boston's Museum of Fine Arts, investigating deep aesthetic connections between art and music. In Fall 2014, he became an Affiliate Tutor and musician-in-residence of Quincy House at Harvard University, and in 2016 he became a visiting lecturer at the Royal Conservatoire of Scotland.
Dorian holds degrees from the Royal Academy of Music (London) and Cornell University. In 2010 he was awarded the coveted Marshall Scholarship. He currently resides in Italy and Scotland, and is writing a dissertation on operatic ornamentation in Mozart.