Written by The Weekend Vote
Published: May 31, 2014 at 10:16 PM [UTC]
In the most extreme cases, an antique stringed instrument with impeccable provenance and in pristine condition can fetch $ millions. For example, that 1741 "Vieuxtemps" Guarneri del Gesù -- reportedly purchased for more than $16 million -- that Anne Akiko Meyers plays.
So what is a violinist or string player to do? Very often, string players borrow an instrument, and not only for violins valued in the millions. A student may borrow an entry-level violin from his school or from his teacher. A professional soloist may borrow an instrument from an investor or patron of the arts.
Have you ever borrowed an instrument, for an extended period of time?
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But I've never borrowed a violin or bow myself for any significant length of time.
Having a backup is great. I've been playing my backup fiddle for about a month now, just to make sure I can get used to it, if needed. I don't like the way it sounds compared to my main instrument, but it's starting to grow on me: the fingerboard is not as worn, so there's less to compensate for.
I can't bear the thought of accidentally bashing someone's treasure -- so no borrowing for me. And no no borrowing from me, either.
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