Written by The Weekend Vote
Published: February 21, 2014 at 8:53 PM [UTC]
Heather Broadbent also wrote a list of positive thinking strategies to help with performing.
It would seem to me that the power -- or lack of power -- that comes from positive thinking depends very much on where an individual stands. For example, sometimes a person is beaten down by the rigor of music training. If you have truly walked that path, chances are that you have put yourself before teachers who are demanding and detail-oriented, you have likely taken auditions, received criticism and responded to it. You have practiced in a way that you demand much of yourself, and you have spent countless hours aimed at highly-focused self-improvement. If that is where you stand, then you may just be standing right on that fine line between success and depression -- in other words, you may need a good dose of positive thinking to temper your self-criticism.
However, if you have not put in this kind of work, you may actually need a kick in the keister rather than a tutorial on positive thinking! Sometimes a good look into the abyss can be motivating, "I sound awful now and the recital is in two weeks, I have to practice!"
That said, it's still possible to assess your deficiencies realistically, then go about concrete goals in a positive way. "I can master this scale in two weeks" is different from "I can be the next Heifetz"!
Do you find positive thinking to be helpful, or not, when it comes to your violin progress at this stage?
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Positive thinking to me means having confidence and having the odacity to hope, whatever happens. It is different from blind wishful thinking in that to sustain this positive attutude, one must constantantly evaluate the situation and modify one's effort and expectation to maximizing achievable results. Blind wishful thinking only leads to defeat. In this sense, positive thinking is more likely to get what we want than otherwise. Like they say, you are always right if you think you can, or if you think you can't.
However, if you are like me, an admitted Pollyanna, who doesn't exactly think she can do anything (I'm well aware I can not) but has this bouncy positive expectation that it will all turn out right in the end, well, then you may need the "Power of Negative Thinking"!
I recently had to quit the violin for two years out of the 20 I've been playing due to a low back injury, and picking it back up over the past year was an immesurably frustrating, often-depressing experience. My technique was sloppy, my fingers were slow, and my endurance was a joke: I'd gone from three hour practice sessions down to twenty minutes at best, which then required a two hour break due to excruciating pain. I was honestly afraid I would never be able to play again, and started beating myself up over my perceived failures; again, using some positive thought helped my attitude immensely (instead focusing on what I COULD do, rather than all the things I couldn't) and allowed me to clear my head and actually get some work done. If I thought I couldn't have done it and continually told myself that, I wouldn't be playing in an orchestra, teaching lessons, and playing duets now.
However, much like a lot of others have mentioned, positive thinking is not a substitute for hard work, devoted practice, and the ability to look critically at your own playing and acknowledge when it's not as good as it could or should be. Being confident in your own playing is extremely important, but so is being self-aware - and especially to have the maturity to admit when you're not at your best, and consequently make wholehearted attempts to fix it. Hoping that a performance goes well and actively preparing to ensure that it does are two very different things, and while both have a place in learning and performing the violin, in my opinion the latter is more important.
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