December 2, 2011 at 6:53 PM
With the sun sinking lower and lower in the sky as we move toward the winter solstice in the northern hemisphere, I'm thinking dark thoughts.No don't worry, I'm not going to start watching vampire movies (even if my female teenage students recommend them!) I'm thinking literally about the dark, because since the Big Wind Storm a few nights ago here in Pasadena, we've had no electricity! What an enlightening experience, so to speak. I wasn't really noticing this before our lights went out, but the sun has been setting around 4:45 p.m. Rather early! Without artificial light, it's best to do any cooking before all natural light goes away. The candles were lit in various rooms around 5:15 p.m. last night. By about 6:30 p.m. we thought it was midnight -- all that darkness! No street lights, no noise, no neighbors with lights, not much juice in the computers or cell phones, so those were off. It's not only dark, it's quiet, literally and mentally.
I took out my fiddle and played requests for my kids, by candlelight. It was pretty fun! It made me think of how the "old days" must have been, and also how things are in places that don't keep the lights on 24-7. We don't need them so much, I think. I had the best night's sleep, ever, last night, with that "circadian" rhythm kicking in, and I awakened not too long after the sun came up, with no big desire to go back to sleep.
I'm trying to imagine how things worked back in Mozart's time, playing music by the light of rather dim lamps. Memorization and playing by ear would seem like good strategies. Also, it's a little easier to hear things when the visual cues aren't blaring for your attention.
Have you ever played in the dark, or by very dim light?
Actually, I've had a penchant for this since I was a kid. So I was well prepared for these playing conditions last April when a tornado took out the feeds from Browns Ferry Power Plant and plunged several hundred thousand of us Alabamians into a 4-day blackout. I had a great time.
For about the last hour of each evening session, the only light was from the night sky, barely enough to let me pinpoint the bow contact point. All the ear-training and bow-control and bow-division drills paid off -- big time.
It is a great time to work on memorized (or partially memorized) pieces, scales, etudes, tone production, etc...
7:00 pm felt like the middle of the night. The quiet was noticeable. A few (carefully supervised) candles were enough for most tasks. (Not reading though. My eyes are too old for that.)
It isn't hard to replicate that calm, relaxed atmosphere. Just turn the electronics off...
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine