Printer-friendly version
Pauline Lerner

Violin shopping is fun: Adventure #1

December 31, 2009 at 1:18 PM

Violin shopping is fun, especially when the violin is for someone else and someone else is paying for it. In the last month and a half, I've had fun heping three of my students select a violin at my favotie local luthier. (For my photographs of violins at the luthier's, see my blog of Dec. 12, 2009).


My first adventure was with "A," an adult beginner who has been studying the violin with me for about two years. He started with a cheap rental violin, and after a few months bought a good beginner's violin. It sounded wonderful for a little over a year, and then his G string started sounding fuzzy. The more he played, the fuzzier it got. He tried changing the string for another of the same brand and then for another of a different brand, but nothing helped. The sound of the G string got fuzzier and fuzzier. I couldn't understand why, so I posted a question on the discussion board. I got a lot of helpful responses, and the consensus was to sell the violin and get a new one.

"A" and I when back to the luthier who had sold him his violin, and the luthier accepted it back in trade. "A" had also accumulated some additional money since buying his first violin, so he was ready to get a higher quality violin. I let him discuss finances with the staff while I admired and photographed violins there. Then a staffer brought out eight violins and three bows for us to try. My student played each violin and then give it to me to play. What I found particularly interesting was that he and I agreed on the sounds of all of the violins. One of them looked ugly to me. It didn't look like varnished wood. It looked like mud. I hoped that it would not sound very good, and it didn't. It didn't take long for us to narrow down our selection to five violins.

From Violin Shopping, November, 2009

Then we worked hard. We played different kinds of music, each on different strings and different positions on the fingerboard. Again we agreed on everything. When he finally chose the violin he wanted, I wanted it too. I asked him not to buy it now, but to allow me some time to find a wealthy benefactor to buy it for me. That didn't work. Before committing to the violin we both liked the best, I had him try all the violins with each of the three bows we were given: one brazilwood, one Coda diamond, and one JonPaul. I liked the Coda bow the best. It felt light and well balanced in my long hand and weak wrist. My student, however, preferred the JonPaul, and it did play well in his hand. We went back to the first violin that we had turned down, and he played it with the JonPaul bow. It sounded much better, but not as good as our #1 choice.

Before we left, "A" asked a staffer whether they had any electric violins he could try. They had two, and we both picked the blue one to try without any amplification. I was surprised that the violin had a soft, but very pleasant, sound. I played it for a while, and then decided that I didn't like it because every note had the same quality of sound. My student, however, liked it quite a bit. The staffer told us that most of the people who bought electronic violins from their store were amateur classical musicians who traveled a lot. The electric violin could be put in a suitcase with clothes around it, and the suitcase could be checked. No hassles with the airplane's staff about taking the violin onboard as a carry-on. When the traveler reached his destination, he could practice quietly in his hotel room.

My student loves playing his new violin, and I love listening to him.

There are more violin adventure stories to come, so stay tuned.


P.S. Check out my website.

This entry has been archived and is no longer accepting comments.

Facebook Twitter YouTube Instagram Email is made possible by...

Shar Music
Shar Music: Check out our selection of Celtic music

Pirastro Strings
Pirastro Strings

JR Judd Violins
JR Judd Violins

Starling-DeLay Symposium
Starling-DeLay Symposium

Los Angeles Philharmonic
Los Angeles Philharmonic

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Thomastik-Infeld's Dynamo Strings
Thomastik-Infeld's Dynamo Strings

National Symphony Orchestra
National Symphony Orchestra Summer Music Programs Directory
Find a Summer Music Program Shopping Guide Shopping Guide

ARIA International Summer Academy

Borromeo Music Festival

Metzler Violin Shop

Southwest Strings

Bobelock Cases

Johnson String Instrument/Carriage House Violins

Jargar Strings

Bay Fine Strings Violin Shop


Los Angeles Violin Shop


String Masters

Nazareth Gevorkian Violins

Laurie's Books

Discover the best of in these collections of editor Laurie Niles' exclusive interviews. Interviews Volume 1 Interviews Volume 1, with introduction by Hilary Hahn Interviews Volume 2 Interviews Volume 2, with introduction by Rachel Barton Pine