Printer-friendly version
Liz Lambson

How to Find Gigs: Musical Networking

February 20, 2013 at 10:32 PM

 
As with any other career, a musician's key to successfully finding gigs often lies in simple networking. (Image by Sean MacEntee)

I feel very fortunate to have a strong connection with my musical community, especially working as a luthier with Kennedy Violins. But it can take a long time to establish your reputation as a musician and performer in a new town. After living in Utah for six years, I felt so well connected to a great number of musical organizations, schools, teachers, orchestras, recording studios, and the like. I enjoyed playing regular gigs, teaching a steady number of bass students, and growing strong relationships with musicians and performing groups throughout the state . . .

. . . and then I moved.

My husband’s work brought us to Oregon several years ago, which meant starting from scratch as a stranger hoping to freelance a new music community. So the first thing I did in the months leading up to and following my move to the Portland area was contact absolutely every musical organization I could find. I made phone calls, sent e-mails with my performance resume attached, and inquired about upcoming auditions. During the summer before the move, I took extra lessons, practiced 20 hours a week, and performed a recital in preparation for auditions I hoped to take once arriving in Oregon.

The day after we pulled our moving truck into town I abandoned our unpacking efforts to attend a masterclass sponsored by the Portland Youth Philharmonic featuring Erik Harris, principal bassist of the St. Louis Symphony. Sure, I was a college grad, so what was I doing hanging out with the youth symphony members? I was also looking for connections. As with most professions, the fastest way to find work is through effective networking and personal referrals. So my goal? Get connected!

Let me tell you, it doesn’t take much but confidence. You know you’re a good player, so put yourself out there! And if you don’t feel like a good enough player to get those gigs, try The Art of Effective Practicing. It takes a lot of work to be a marketable performer, but you can do it!

 

Here are a few ways to get connected with your local music community:



Photo by Belen Martini.


It might be challenging to find the gig of your dreams. But don’t wait miserably for a Golden Ticket while throwing away the chance to enjoy that delicious Wonka Bar right in front of you. There is music to be played, players to meet, and stages on which to perform. So have at it! Make a connection! And keep us posted along the way.

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram Email

Violinist.com is made possible by...

Shar Music
Shar Music

Pirastro Strings
Pirastro Strings

JR Judd Violins
JR Judd Violins

Los Angeles Philharmonic
Los Angeles Philharmonic

Los Angeles Chamber Orchestra
Los Angeles Chamber Orchestra

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Anne Cole Violin Maker
Anne Cole Violin Maker

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Metzler Violin Shop

Southwest Strings

Bobelock Cases

Johnson String Instrument/Carriage House Violins

Jargar Strings

Bay Fine Strings Violin Shop

FiddlerShop

Fiddlerman.com

Los Angeles Violin Shop

Baerenreiter

String Masters

Nazareth Gevorkian Violins

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine

Subscribe