Welcome to "For the Record," Violinist.com's weekly roundup of new releases of recordings by violinists, violists, cellists and other classical musicians. We hope it helps you keep track of your favorite artists, as well as find some new ones to add to your listening!
Argentinian violinist Tomás Cotik follows his popular recordings of works by Astor Piazzolla with this album of the complete Sonatas and Partitas for solo violin by J.S. Bach. "A unique and distinctive aspect of my interpretation was to record the album with a Baroque bow while still using a 'modern violin' at modern standard pitch. I find the Baroque bow to naturally help in interpreting the music, allowing for a light and resonant sound, quicker, more flowing tempi, and lively articulations. This helps bring to light the transparent textures, develop the expressive potential, and ultimately attain the desired affect of the music. And yet, as important as it is, the choice of bow was only one of the many facets and layers in my interpretation of this incredible opus. A lifetime of attention, research, and appreciation has been condensed into my actual recording, and I do hope it will speak for itself." BELOW: Cotik performs the "Preludio" from Bach's Partita No. 3 in E major.
This all-Berlioz album features his best-known work, Symphonie fantastique, as well as "Rêverie et caprice" for violin and orchestra, recorded with Philippe Quint when he was the orchestra’s Artist-in-Association. There are also two poetry settings for orchestra and chorus, "La mort d'Ophélie" and "Sara la baigneuse," which were recorded with the Utah Symphony Chorus and University of Utah Chamber Choir.
If you have a new recording you would like us to consider for inclusion in our Thursday "For the Record" feature, please e-mail Editor Laurie Niles. Be sure to include the name of your album, a link to it and a short description of what it includes.
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