The 300-page collection includes more than two dozen exclusive interviews with top violinists that I've done for Violinist.com over the past six years, including pictures of the artists. Which interviews are included in this book? You can get a magnifying glass and look at the cover art, which includes all the names. Or, you can just look at this list:
Anne Akiko Meyers
Rachel Barton Pine
Lara St. John
Though this is a long list, I still was not able to include everyone that I wanted to include, which is why I've called this book "Volume 1."
As I assembled this collection, I was pleased to find that far from being 27 completely separate stories, there are a great many threads that connect one violinist's story to another's: common teachers, repertoire, experiences, approaches -- even instruments that start in one violinist's hands and end up in another's! At the same time, there is great diversity of thought as well; for example, the story of James Ehnes' arduous search for just the right instrument contrasts completely with Nadja Salerno Sonnenberg's humorous banter on the same topic. What kind of violin do you play, Nadja? "I play a used one," she said, "I found a good instrument and I just stuck with it. There are better instruments out there, certainly there are worse instruments, but I feel fine."
Some of the interviews are several years old, and one can see that the seeds of the future lie in the things that violinists said years ago. For example, Anne Akiko Meyers speaks in 2008 of having to borrow many instruments in her early career, and how returning them was "like having your left arm amputated." She now quite famously has been guaranteed lifetime use of the "Vieuxtemps" Guarneri del Gesù.
The book also contains a special interview with Ruggiero Ricci, which I did with him in 2007, just five years before his death.
Each interview has an introduction, written especially for the book, that makes some of these connections and brings the reader up-to-date with a developments that occurred with the artist after the interview.
So I invite you to buy our book! If you buy a paperback copy of the book through Amazon, you soon will be able to add a Kindle version for just $2.95, under Amazon's Kindle Matchbook program.
We're planning a book launch party in Pasadena, as well as some other promotions for the book. In the meantime, we appreciate all the support from our friends and readers in buying the book and rating it highly on Amazon.com. Your purchases and recommendations encourage Amazon to suggest the book to other customers, helping expose it to more potential readers. (And if you'd like to "like" the book on Facebook, the official page is at facebook.com/violininterviews.)
* * *
This business of publishing a book brought me to another question, one that I'm making into this week's "Weekend Vote": Do you prefer to read paper books, or e-books?
I feel like this difference has less to do with age that it does with personal preference. For example, my teenage daughter, certainly a member of the "digital native" generation, prefers paper-and-print books to her Kindle. In fact, her tech-savvy grandfather has pushed two separate Kindles her way over the years, and she's completely rejected both. She just prefers the feel and the look of a "real" book and loves visiting used book stores, where she can scoop up of a pile of old paperbacks.
That said, her grandfather -- who is of a generation that grew up with print books -- fully believes that "there will be no print books" in the future and that the e-book is the best and only way to go.
I can see both points. I have a Kindle (the easy-on-your-eyes older model), and I love to read the New York Times on it, instead of reading the paper either on newsprint or on the Internet. I enjoy taking it on the plane because it is so compact and lightweight, yet can carry dozens of "books" in it.
At the same time, I don't feel I can flip through the Kindle in the way that I can flip through a paper book. Yesterday, I showed my book to a long-time student, one that has never taken a huge interest in the larger world of violinists. As she leafed through it, she said, "I think I just want to look at the pictures." But as she was examining each picture, she started asking, "Who is this? What is her story? What is his story?" Even as libraries go digital and the world goes digital, I still don't ever want to give up the experience of going to the book store or an old-fashioned library: the smell, the feel, the real-world feeling of a book. It feels like a connection to the past, too: Who held this book before I did, who wrote that note in the margin?
So which is your preference these days, when reading a book? Do you prefer it as a paper book, or in e-book form?
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...