Junior Finals of the 2014 Menuhin Competition in Austin, the 14-year-old Japanese violinist Rennosuke Fukuda seemed to completely take over as leader of the orchestra. The tempo was his tempo, the music was his music, the spirit was his spirit.At one point during his technically astonishing performance of Waxman's "Carmen Fantasy" during the
Thus I wasn't surprised to learn, when interviewing him backstage after he was named the First-Prize winner, that beyond his violin studies, Rennosuke aspires to be a conductor.
Rennosuke does not speak English, so I interviewed him with the help of Tomoko Kashiwagi, who served as both his piano accompanist and his translator throughout the Menuhin Competition.
"A conductor has the job of bringing everybody together, and to do that makes everybody happy," he said. "I want that kind of job." He has tried his hand at it, conducting for his public high school in Japan on occasion. What pieces would he most like to conduct? Without hesitation, he said he'd like to conduct Beethoven's Ninth Symphony. Beyond that, perhaps Beethoven's Fifth -- these are simply great pieces, he said.
What was his favorite thing about the Menuhin Competition? "Playing the Carmen Fantasy by Waxman," he said -- the performance he had just given. It's a piece that he'd been preparing for two to three years, he said, and he loves it because of the way it feels: grand, tumultuous, full of tension.
Rennosuke started playing the violin at age three, and he won his first violin award at age four. Even before he was born, "my mom already had the idea that if I was a boy, I would play the violin," he said. He studies violin with Machie Oguri, and most recently he won first prize and the "Virtuos" prize at the September 2013 15th Kloster Schöntal International Violin Competition in Germany. He also performed at the 2013 UNESCO charity concert in Paris for victims of the Great East Japan Earthquake.
What does he like best about the violin? "I'm happy when everybody claps for me," he said. (It must have been a happy week -- he enjoyed many ovations, for his performances that occurred over the 10-day Menuhin Competition!)
Those happiest moments are the result of a great deal of hard work. When I asked, "How long do you practice?" he needed no translation to understand that question; he's heard it before. Rennosuke said that he practices three or four hours on weekdays, and six to seven hours on the weekend, if he's feeling good. (Just four if he doesn't.)
Do you like to practice? "I hate it!" he said, laughing. But the performing is another matter: "I try to enjoy the performance; I try not to think too much about it (as a competition)," he said.
Some of his favorite violin pieces are the Bruch and the Tchaikovsky Concertos, he said. He looks up to a number of violinists, including Japanese violinists Mayuko Kamio and Daishin Kashimoto. He also likes to listen to the recordings of Perlman and Heifetz, and he likes recordings by Olivier Charlier, one of the judges for the competition.
He said that he made a lot of friends at the Menuhin Competition. "Everybody is so good, I was really surprised," he said. He thought a lot about how to make his own unique character come forward and to enjoy the performance, he said, so he had fun with it. He also learned a lot from the other competitors; he particularly admired the sound of fellow finalist Daniel Lozakovitj, who placed second. "His sound is just so pretty," he said. He thought that some of the competitors that didn't advance from the first round were also technically very sound. Seeing the other competitors play gave him a lot to think about, he said.
* * *
In case you missed them, here are some videos of Rennosuke's performances at the Menuhin Competition.
Junior Final Round: Rennosuke Fukuda played Franz Waxman's "Carmen Fantasy" with the University of Texas Symphony Orchestra, conducted by Gerhardt Zimmerman.
* * *
Junior Final Round: Rennosuke Fukuda played Beethoven Sonata No. 1 in D major with pianist Tomoko Kashiwagi, Op. 12; Handel-Halvorsen Passacaglia, with cellist Bion Tsang
* * *
Junior First Round: Rennosuki Fukuda played the following, with pianist Tomoko Kashiwagi:
1. G.F. Telemann -- Fantasia for solo violin, No. 10 in D major
2. H. Wieniawski -- Etude-Caprice Op. 18, No. 4
3. Freestyle Improvisation
4. Dan Welcher - "The Cowboy and the Rattlesnake"
5. W.A. Mozart -- Adagio K. 261
This article has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
Thomastik-Infeld's Dynamo Strings
Violinist.com Summer Music Programs Directory
ARIA International Summer Academy
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine