April 12, 2007 at 3:57 PM
I'm going to lose snob points by making this confession, but... I really enjoy playing "Star Wars" music.Then again, I don't play the violin for snob points; I just love music.
We're playing it this week in the New West Symphony, along with the premiere of a work by composer Robert Kyr, Yosemite: Journey of Light, set to the photography of Lawrence Janss.
The chief complaint about Star Wars, particularly John Williams' original 1970s score, is that the music is derivative, not original.
And indeed it largely is: I had a friend in music school whose primary preoccupation in life seemed to be to mine the Star Wars score for references to classical music. He'd queue up "Rite of Spring" or "The Planets" to some nearly-identical passage in Star Wars, then excitedly call a group of people into his room, "See! See!," he'd say with outrage mixed with admiration, "Do you hear that?"
He was a composition major. His favorite movie? Star Wars.
I think that for this score, Williams was an absolute rip-off artist, and I say that with admiration and with the true meaning of "artist" in mind. The "Star Wars" score makes the movie, and it's because Williams knew good music and how to make it work in context. It's also well-crafted and fun to play.
My only disappointment is that this week we are playing only from the original trilogy; I think my favorite Star Wars composition now is Anakin's Theme, from Episode I. (Here's the soundtrack.) With its soaring and sentimental lines yet mournful forecast (the promising boy, destined for the Dark Side), it fits the character almost better than the actor did.
If you are in Southern California, I invite you to join us for the concert.
My favorite J.W. is the Gettysburg Theme. It has some passing references to some American music of that period, combined with some J.W.-sounding heroic themes. Great! The orchestration in it is sort of mind-blowing too.
I think Williams has reached more people with his score than most of the composers he "ripped off" combined. And in a way, I think the popularity of Williams shows that the general public does thirst for and appreciate good orchestral music. It's just that they want that music to have pleasing melodies and human drama.
_Man_
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