May 11, 2006 at 6:42 AMMy studio recital is this Saturday, and though I made all my students pick their pieces two months ago, memorize them one month ago, and practice performing them for all their relatives, neighbors and pets for the last two weeks, one question remains.
What should I play? I've been in the habit of playing at the end of the studio recital, and I've enjoyed doing it.
Because of my little audition a few weeks back, I've spent several months working up orchestral excerpts and concerto first movements.
Hey, I could play the Scherzo from Schumann Symphony No. 2! Or, the first 27 bars of Mozart's 39! No, no, too common. How about the Adagio from Mahler Symphony 10? That's a show-stopper!
Okay, hah hah. But I didn't even want to play either of the concertos I worked up. I'm just sick of it all!
I turned to the Tchaikovsky "Meditation." Back in December, I'd heard Joshua Bell playing it on the radio; it's on his latest Tchaik album. (Do only old people say "album" any more?) I'd forgotten the existence of this piece, though I knew it well because of a recording I had of my teacher Gerardo Ribeiro playing it.
I really had to search to find the music, which I got for Christmas and promptly set aside, so I could practice for orchestra concerts, auditions, etc. But I really wanted to play it, especially on the Italian. Whoo, up there on the G! Still, shouldn't I maybe play my Mozart concerto that I had all polished up for the audition?
"How much progress are you going to make on the piece you really want to play if you play the piece you're sick of?" asked Robert, in typically logical, non-musician fashion.
It's been a long month, I guess I could use some Meditation.
Just be sure to put your best playing student last :-)
Speaking as a parent and a student I can say that the teacher playing at the end is always special. We look forward to it, and it inspires the students as well as reassures the parents that the teacher enjoys playing and performing. Besides, it has the added benefit of ensuring that everyone stays until the end. I'd say go for the Meditation since that is what you want to play on your Italian, even if it's not clinically perfected like the Mozart is, I think parents and students will appreciate the heart you put into it. Besides I'm sure you'll have it perfected by the time of the recital anyway. Cheers!
Same goes for "record." A CD (or MP3 or whatever) is not vinyl, but it is a RECORD in the sense that it's a recorded thing.
If you refer to some piece you heard on a wax cylinder, however, I'm afraid you might have trouble passing for ... um... shall we say, under 39.
P.S. playing on students' recitals is a wonderful idea and fun for everyone, in my experience at least. Just make sure it's a recital of your own students, not someone else's. :-o
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.