December 2007

What a Year...

December 31, 2007 05:07

2007 is now finally rumbling towards its end. What a year it has been. The ever-increasing demands of my day job have interfered so much with my playing schedule that you cannot really talk about a schedule anymore, rather it's a number of incidents.

Thankfully, my quartet partners understand (since they are in an equally demanding line of work). Would that the salary had risen in proportion (or rather, at all).

On my viola, I switched from PIRASTRO Obligato to PIRASTRO Chorda for the holiday season, since I only play viola in private and the drawback of gut strings (susceptibility to temperature/moisture changes) is a non-issue if the instrument stays in one room.

Great sound, but some problems with finding the correct bow attack on the two lower (wound) strings. The plain ones (D & A) are great. Love the increased volume and richness of sound.

Happy 2008 to everybody!

Archive link


More entries: March 2008January 2007

Facebook YouTube Instagram Email

Violinist.com is made possible by...

Shar Music
Shar Music

Pirastro Strings
Pirastro Strings

JR Judd Violins
JR Judd Violins

Los Angeles Philharmonic
Los Angeles Philharmonic

Los Angeles Chamber Orchestra
Los Angeles Chamber Orchestra

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Anne Cole Violin Maker
Anne Cole Violin Maker

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Metzler Violin Shop

Southwest Strings

Bobelock Cases

Johnson String Instrument/Carriage House Violins

Jargar Strings

Bay Fine Strings Violin Shop

FiddlerShop

Fiddlerman.com

Los Angeles Violin Shop

Baerenreiter

String Masters

Nazareth Gevorkian Violins

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine

Subscribe