Printer-friendly version
George Mitrou

Story of my violins

December 8, 2012 at 7:28 PM

I'm 16 and I really like the violin. To tell the truth at the very beginning I had a choice between a violin or a piano, and I chose the violin, and I don't regret it. Actually it was pretty fast to actually "connect" with this instrument, and learnt "Happy Birthday to you" on the 1st week I got it (with some false notes of course). My first violin was a fancy coloured stagg vso (Chose it only and only because of its colours, unfortunately) which actually sounded pretty decent. Unfortunately, the fingerboard wasn't made of ebony and it was thiner than it should, plus the bridge was poorly made (common vso issue). Okay, I started private lessons for summer. My teacher was impressed, but when September arrived, I started lessons what one of my town's music school. During my 1st meet with the new teacher, I played him a small piece. He was pleasantly surprised, especially with my vibrato. He said, that if I continued that way, I would take special exams the next year, to jump, pass, whatever, 2-3 years! I was pleasantly shocked when I heard this! But after a month, I decided to start again with my old teacher (Cause she can't stand losing one of her best students xD). So I showed where me and the teacher beforehand stopped on the Laureux method, and continued improving. A week later, I saw her old violin forgotten, and asked:

"Could I please have a look on that violin that is standing by the piano?"

"Yes of course!"

So she took the case, and opened it. She handed me the violin. It was a slightly damaged, 1999 Otto Jos. Klier, 700 euro valued violin, with its strings needing replacement.

"Can I try it?"

The sound was gorgeous! And actually, she gave it to me for a few days!
Had so much fun playing with it! The next time I met her, she asked if I want it forever to be mine, for a set of cash of course, so that she could send it for repairs. I talked with my mother and she agreed! So she sent the violin for repairs, and within the next days, she took it back, and showed me the repaired sections. And from then on, that violin belonged to me, and did not use my older vso for once.

Later on, my fingers were getting used to the right positions, and now, I'm improving my vibrato.


From Cheyne Winterthieme
Posted on December 10, 2012 at 3:08 PM
It's good you got a better violin. I was sorry I waited as long as I did (8 yrs). A thin fingerboard can certainly cause problems. A good bow makes a world of a difference, too - some say it is more important than your violin, but I think it is of equal importance... ;)
From George Mitrou
Posted on December 12, 2012 at 7:28 PM
Thank you!! Well, at least, my vso's bow was pretty decent so I still use it, and indeed, it was much more uncomfortable with that thin, fingerboard :/ Anyway, I'm still happy with my new one!

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram Email

Violinist.com is made possible by...

Shar Music
Shar Music

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Anne Cole Violin Maker
Anne Cole Violin Maker

Miroirs CA Classical Music Journal
Miroirs CA Classical Music Journal

Pirastro Strings
Pirastro Strings

JR Judd Violins
JR Judd Violins

Los Angeles Philharmonic
Los Angeles Philharmonic

Corilon Violins
Corilon Violins

Los Angeles Chamber Orchestra
Los Angeles Chamber Orchestra

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Classic Violin Olympus

Coltman Chamber Music Competition

Metzler Violin Shop

Southwest Strings

Bobelock Cases

Johnson String Instrument/Carriage House Violins

Bay Fine Strings Violin Shop

Jargar Strings

Fiddlerman.com

FiddlerShop

Violin Lab

Connolly

Barenreiter

Nazareth Gevorkian Violins

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine

Subscribe