January 25, 2012 at 6:15 PMThis is a first attempt to extract some of the principles behind Otakar Ševcík's repertoire studies. I'm sure others are much more qualified to do this than I am, but as far as I know, no-one has tried, so here goes. Of course, corrections and additions are most welcome.
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.