January 2012

A student's first gig

January 31, 2012 14:59

Yesterday, I was teaching a lesson and was pleased to learn that one of high school students was just offered her first "steady gig". A variety show in the Hawaiian tourist town Lahaina on the island of Maui needs someone to play the Orange Blossom Special with a band for a bluegrass number twice a week. There aren't really any professional violinists on Maui (I actually fly to Maui from Honolulu to teach a handful of students to ensure that the art of string playing does not completely disappear from that island). The concert presenters had heard "through the grape vine" that there was a talented student in maui that might be able to cut the gig so they called her. She's a great classical violin student, a sweet japanese girl with a huge tone, monster technique and a huge heart. She's studied suzuki violin and played exclusively classical music in the youth orchestra, all the usual serious violin student stuff.

From the very first contact, its clear that this is going to be a very different kind of experience than what's she's done at school, in her lessons, and in youth orchestra. Of course, the band did not send music. They sent a lead sheet and an mp3. for her to learn from. Not a big problem for a Suzuki trained student. I play swing jazz in a stephane grapelli inspired hot club band and also do many blue grass gigs on the side. So learning music this way is very familiar to me as well. Plus, there are transcriptions of OBS floating all over the place so getting her though the chart and letting her know how "flexible" things might get was easy.

But as we were listening to the recording they sent, complete with pounding drum set, screaming electric guitars, and an electric bass tone that could break down the foundation of a house its pretty clear that things are going to get pretty loud. I told her, we're going to need some extra gear or else no one is going to be able to hear you.

There are a dizzying variety of options on how to amplify a violin these days so after her lesson I walked her mom through the various options

under $100
-buy a contact pick up or piezo electric pick-up, a small device that we would screw onto the bridge or stick to the body of the instrument via some gummy putty similar to bubble gum. Mom did not like the idea of attaching anything invasive like this to her nice $15,000 modern american fiddle

around $1000 or less
-buy a nice clip on condenser mic. There are good ones available by Audio Technica and DPA. I perform regularly with my jazz band using the DPA 4099 which is around $600. If you want to have the best acoustic violin sound and want your violin to sound just like it does in a concert hall only louder, this is the best option. But then she would still have to bring her nice violin to the blue grass gig, which we speculated would be outside sort of on the beach in a dinner theatre setting. maybe sound is not the most important consideration.

A little more than $1000
The best way to protect a really nice instrument is not bring it to gigs where it might get damaged...like outside gigs. While this is the most expensive solution, you can't put a price on piece of mind. I would lose a lot less sleep at night knowing my teenage daughter was not playing her $15,000 violin on the beach at a casual gig.

We looked into a couple of options. I play a semi-solid body fiddle by bridge which is made out of graphite, the ad says that you can hit it with a slegde hammer at it will still play. this durability appealed to mom. But playing a solid body fiddle has its disadvantages. Mainly that no sound comes from the violin itself but from an amp. If you have a bad sound man at a gig, you could find yourself playing without being able to hear yourself. Or you would have to invest in and carry around a good amp...extra expense and set up. We opted instead for an electro acoustic fiddle by realist. For my student it would be just like playing her normal violin. And you just plug it in to the sound system. Real easy.

I hope her gig goes well. She has her first rehearsal with the band on friday and then starts the shows next week. I'll you folks know how things worked out.

4 replies


Facebook Twitter YouTube Instagram Email

Violinist.com is made possible by...

Shar Music
Shar Music

Yamaha YVN Model 3
Yamaha YVN Model 3

Corilon Violins
Corilon Violins

Pirastro Strings
Pirastro Strings

Los Angeles Philharmonic
Los Angeles Philharmonic

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Violin Pedagogy Symposium
Violin Pedagogy Symposium

Masterclass Al-Andalus
Masterclass Al-Andalus

Aria International Summer Academy

Meadowmount School of Music

Bay Fine Strings Violin Shop

Bobelock Cases

Fiddlerman.com

Fiddlershop

Los Angeles Violin Shop

Nazareth Gevorkian Violins

Potter Violins

Pro-Am Strings

Violin Lab

Violin-Strings.com

Wangbow Violin Bow Workshop

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine

Subscribe