Harold asks:
My left thumb hurts after playing. Especially with the viola. What should I do? I've been playing violin for almost 2 years and viola for six months.
1) Check the size of your viola
2) Do my FREE workshop Weight vs Pressure, click here to subscribe
3) Check the place of your thumb
4) Check tension in your thumb and if your thumb is doing to much
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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Lam asks:
I have seen many soloists like Silvia Marcovici who has a wide vibrato and Hilary Hahn who has a much narrower vibrato. Please make a video on whether to have a wide or narrow vibrato.
When to use what kind of vibrato? Narrow, wide, fast, slow?
How to train yourself to be able to do all these types of vibrato and apply them exactly on the right moment?
Watch this video and I will give you some tips and exercises.
Click here to see more video’s I made on vibrato!
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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Jeremias asks:
I saw your video on selecting bows and it got me thinking. My music teacher always says that when I'm playing I'm playing in the wrong part of the bow. I play my violin on the top half of my bow most of the time subconsciously but when the style of the music demands it I play with the rest. I still use my entire bow for dynamics even though it tends to lean on the upper half. Is it ok to continue or should I put more effort into changing my bowing style? (I don't know if this is relevant but I think it might be because I have a younger teacher that plays the cello)
First of all: there is no right or wrong part of the bow!
Watch this video in which I talk about when to bow with which part of the bow.
Do you choose the part of your bow based on the lack of bowing technique or on what the music demands? How to distinguish this?
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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Let's talk about a phobia lots of violin and viola players suffer from...
... the Fear of the Frightful Frog! (woooo)
How to lose your fear of the frog, play smoothly at the frog and discover all the sound colors your whole (!) bow can produce.
In this video I will share with you three exercises you can do to play better at the frog.
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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Marcus asks:
Is there any physical attributes or lack of certain physical attributes that might make violin playing more difficult to learn?For example is having longer slender fingers a benefit and having shorter thicker fingers a detriment? And lastly what is the degree of wrist rotation needed to hold the neck of the violin?
We talk about:
The answer might positively surprise you!
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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Did you know that finding your ideal bow is even more difficult than finding your ideal violin or viola?
How important is it to have your ideal bow?
With your ideal bow you can achieve more musically and technically.
The more your playing improves, the more you will demand from your bow.
What are the costs of a bow that matches your violin or viola?
What does the price of a bow consist of?
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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How to hold your violin or viola?
I will explain this to you in this video and will give you a step-by-step way to build your own violin or viola hold.
In this way you will be so comfortable with your violin under your chin that you might want to go shopping with your violin ;).
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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How to hold your violin or viola bow?
I will explain this to you in this video and will give you a step-by-step way to build your own great relaxed and flexible bow hold with which you can make a beautiful tone on your violin or viola.
Also I will give you two exercises to make your bow hold flexible instead of rigid.
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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Is all your motivation and self esteem down the drain when your teacher puts a giant scale book (like Carl Flesch's, which is very good and helpful, but big) on your music stand?
How can you improve your technique without feeling overwhelmed by complex books?
In this video I will give you a peek into the book 'Get more out of your violin playing' by Daniël Otten. See if it's something for you.
Click here to order the book.
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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Take a look in Zlata's case...
What items are essential for every violinist or violist?
What items should everybody have in the violin or viola case?
I will give you a sneak peek in my own personal violin case and show you what I carry around to rehearsals, lessons and performances.
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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How frustrating is it when you are practicing the violin or viola very hard... but the results are not there... even worse: your violin or viola playing seems to get worse.
How is this possible? Practicing makes perfect, doesn't it?
What to do about this issue lots of violinists and violists struggle with?
I will give you some explanations, pep tak AND solutions in this video. Watch it!
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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Do you have to be physically well trained to play the violin or viola?
Violin or viola playing (and especially violin) is learning to do less instead of to do more.
Lots of people tend to do more if the violin or viola is not doing what they want. This can work against them in many cases.
How can you play effortless? How much muscle power should you use?
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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Would you like to tune your violin with a tuning fork?
Why would you tune your violin in such an 'old fashioned' way anyway... while there are tuning devices and tuner apps available?
In this video I will show you how to tune your violin with a 'A' tuning fork and I will explain why it's such a great exercise for intonation, violin hold, ear training, double stops, bowing, multitasking and more.
Is this video useful to you? Please let me know in the comments!
Love,
Zlata
PS: Do you have questions for me on violin or viola playing? Post a comment below or send an e-mail to info@violinlounge.com
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More entries: October 2013
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine