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Emily Grossman

Note to self: be careful with the written word, for it can be saved and recycled at the most unfortunate time.

October 1, 2005 at 6:15 AM

Once upon a time, I was asked to write a brief biography regarding my history on the violin. I hate bios. I don't have much to write, really. Formal training? Awards? Experience? No, not much. I just like to play the violin.

I thought about this at the coffee shop one day while sitting with the usual coffee cronies, and in good humor, decided that if I was going to have a biography that served its purpose (which is to make me look good), I may as well go all the way and make it a good one. I wasn't planning on actually using it; it was simply a creative writing exercise to get the thoughts moving out of my head and onto the paper. We got a lot of laughs from it. I thought someone else I knew would enjoy it, so I emailed a copy for fun.

At tonight's concert, I was introduced with these familiar words:

"Emily Grossman is a most superior violinist, proving herself skillful as a fiddler by winning hoedown showdowns with her blazing fingers, which flicker like a demonic lightning storm. Metronomes have clocked speeds upward of 180 bpm when she spins out Devil's Dream.

"As for credentials, Grossman touts a yoke much heavier than a mere resume-quality sheet of paper can bear. Drawing from Taoist philosophy, she consults with the soul of Galamian himself before each performance of Pachelbel's Canon in D. People line up on the waiting list just to hear a single jewel-like note uttered from her stringed lark. Weddings run more smoothly, concerts are more lively, dining is more serene, life is just more worth living because of Emily Grossman."

I was incredibly flustered during my performance this evening. Yeah, but I enjoy a good joke, too; It was pretty funny.

Mostly, I'm thankful they didn't read the bio in its entirety.


From Ben Clapton
Posted on October 1, 2005 at 9:52 AM
would you care posting the full bio?
From Emily Grossman
Posted on October 1, 2005 at 10:19 AM
Ha, there is no way I would display that publicly! Some people would take me seriously! ;)
From Jim W. Miller
Posted on October 1, 2005 at 10:22 PM
Impossible to write something completely divorced from all truth and meaning I think.

They didn't save it to tease or harass you with. They saved and shared a pleasant memory. Note to self unnecessary I'd say.

From Emily Grossman
Posted on October 2, 2005 at 9:46 AM
I'm going to have to write an entire blog on that comment.
From Jim W. Miller
Posted on October 2, 2005 at 12:57 PM
On the other hand, who really knows what the hell they had in mind.
From Emily Grossman
Posted on October 2, 2005 at 6:24 PM
No, not that one, the first one.
From Mellisa Nill
Posted on October 2, 2005 at 9:01 PM
Well, Emily my favorite response was you performed later in the program and Phil said "wow, I thought 180 beats per minute was a joke!"

And at least, Phil's pronunciation of "Galamian" was way closer than his "Jascha Heifitz" (and I'm sure I'm spelling it wrong!)

However, the MC's most sincere statement for me was "life is just more worth living because of Emily Grossman." I count it a privaledge to play 2nd to your 1st!

(See, I can still say nice things, even though you stole half my violins as we were going onstage for the youth orchestra's turn!)

From Mellisa Nill
Posted on October 2, 2005 at 9:07 PM
My apologies for my self-editing.

It was a long drive home!

From Emily Grossman
Posted on October 2, 2005 at 10:58 PM
Anyone can play a whole note at 180--it's so relative; that was the joke, but now that you mention it, I notice that 180 is a good tempo for the Saint Saens.

I only stole the violins because I thought they would get a kick out of the violinist poster child on the wall down the hall. It was a priceless photo, one that is trying way too hard to make playing the violin look cool to teenageres and failing miserably. It's good to have something to laugh about before performing.

From Jim W. Miller
Posted on October 2, 2005 at 11:10 PM
Ok, I look forward to reading it to understand what you mean. I see unfortunately hard livin' has re-wired me to read it as some vague challenge. I want dream images, and frolic and felicity.
From Emily Grossman
Posted on October 2, 2005 at 11:55 PM
Perhaps I should insert more disarming smiley faces after my comments. :) :) :)

I have some thoughts about tounge-and-cheek biographies and kernels of truth, my subconscious mind, the desire for honest humility versus the darker desire to be glorified and worshiped--which I'm not ready to openly admit and perpetually struggling against--but perhaps I'm not ready to write about that sort of thing after all. It's not very fluffy or felicitous.

From Jim W. Miller
Posted on October 3, 2005 at 12:31 AM
That's not necessarily a dark desire. It isn't in my case. What happens next is the important thing, what it inspires you to do, not thinking of it as an end in itself. That's the secret, maybe.
From Jim W. Miller
Posted on October 3, 2005 at 1:24 AM
In other words, consider it a powerful fuel that can enable mankind to go where no man has gone before...or just blow up in a gas station in Idaho...or just sit forever in a tanker while someone wishes it wasn't there.

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