Bruch - Scottish Fantasy (4th movement)

Submitted by Nate Robinson: Nate Robinson, violin from live performance Nov. 4, 2007 in Darien, CT.

Comments

From Nicole Stacy (Posted: Feb 8, 2008)
Is it true that continuous vibrato was not always used, but came about because of twentieth-century recording media? In any case, not all teachers subscribe to that school; Auer, for example, in Violin Playing As I Teach It.

From Jasmine Reese (Posted: Jan 6, 2008)
Great job! Amazing! The pianist is great as well.

From ming lai (Posted: Jan 4, 2008)
who do you study with at yale?

From Ruth Kuefler (Posted: Jan 2, 2008)
Wow, great playing! I just love this piece. It's sooo challenging though! You handled it wonderfully. :)

From Caeli Smith (Posted: Jan 2, 2008)
beautiful! I really enjoyed listening to this. thanks nate!

From Eitan Silkoff (Posted: Jan 1, 2008)
fine playing alright! but how come your teacher hasn't made you vibrate every note?

From Charlie Caldwell (Posted: Dec 30, 2007)
Fantastic playing! I hope you will share more with this site.