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Warming up

Technique and Practicing: what should I do before I start to practice

From Branden Taylor
Posted June 13, 2012 at 06:25 AM

I am a intermediate violinist and have been reading that you should warm up before you start to practice. what should i do before i start to practice and does anyone know were I can get free warm up music.

From Simon Streuff
Posted on June 13, 2012 at 08:22 AM
how you warm up depends on what you are playing and how good you are already. So, what are you playing atm?
From Branden Taylor
Posted on June 13, 2012 at 10:04 AM
Now I am playing bruch violin concerto no.1 just put away mozart 3rd
From John Cadd
Posted on June 13, 2012 at 10:29 AM
Link your fingers together. Turn the palms away and raise above your head to stretch the forearms . Make sure you have enough space for some full round arm swings .Wiggle the shoulders in every direction . Gently roll the head in every direction. Bend and touch your toes to keep the back and leg muscles long. Think like a ballet dancer or a cat for 5 minutes. Lean on a table about 30 degrees to do some gentle pressups. Stretch all the fingers apart and then clench tight half a dozen times . The last one was a Heifetz` warm up for trills . Just before your first note stretch the right arm out like Oistrakh to make sure the sleeve is not tight .He always did that .
From Paul Deck
Posted on June 13, 2012 at 12:25 PM
I play scales and sometimes after that some of my older Dont and Mazas studies. I'm hoping for my birthday (ahem!) I'll get Simon Fischer's book which I'm told has a complete guide to this. My fear is that it will not be as relevant to someone who only has about 75 minutes per day to practice, but it might be quite good for an "intermediate" student like you (LOL -- you were too humble to say "advanced"!!).
From marjory lange
Posted on June 13, 2012 at 01:37 PM
Before I start to play, I take a brisk walk, maybe 15-20 minutes, to get blood flowing. Then I do some of the stretches suggested by the first respondent...it's NEVER wise to stretch cold muscles; both of my trainers and my phys. therapist are adamant about that. It's one of the easiest ways to injure.

Even with limited time, Fischer's book could be good--you just don't do it all every day. I have 90 min. max (2 45-min. sessions, while I'm rehabbing my shoulder). I do 1-2 scales, different each day, pre-determined sections of etudes, that sort of thing.

But the walk and stretch are essential, esp. if I practice first thing in the morning, as I tend to have to do on work days.

From Lora Staples
Posted on June 13, 2012 at 11:31 PM
I think it's important to distinguish warm-ups from stretches. I think that warm-ups are critically important BEFORE practice, and stretches are important after practice.

Of course, there are no absolutes, and so I agree that some stretches are helpful BEFORE practice, and some "cool-downs" are important after practice, stretching being one form of cool-down.

Here is a video I prepared for my students on warming up. (not to divert you from this site, but it's a pretty helpful video)

http://www.youtube.com/watch?v=bRllkps3WKk

--Lora

From Simon Streuff
Posted on June 14, 2012 at 09:46 AM
I like to start warming up the bow first. Wich means some open strings and maybe some slow scales for sound and different bow speeds. After that some basics for the left hand in first position for intonation and agility. Then one fast scale 3 or 4 octaves (or accelerando scale like galamian). maybe some thirds and sixths... ready to go.
Important to me is to use the metronome at least once a day. An electric tuner can also be helpful to increase the precision of your intonation. Using them for 10 minutes a day constantly will make your rhythm more secure and intonation more stable.
For bruch warming up I would do some rhythm exercises in scales for the 5/16th rhythms for example. Also some arpeggio exercises on open strings or an easy chord could be nice.
I like to implement material of the works I study in my warmup. Not only becaue it makes sence but also because I am bored of playing standard scales and etudes every day. Just exclude one difficult passage from the repertoire (not much more than one bar) and play it differently... in double stops, rhythms, even transposing may be good)
And since you are quite "advanced", I would suggest you to stretch yourself for some really difficult etudes, like Paganini. Not to play them in concert, but to learn new techniques. After working for one hour on an easy paganini caprice (wich doesn't really exist... but you know what I mean) everything else feels more natural and in your technical range. Especially decimes (tenths) and fingered octaves are too often forgotten in technical practice. But they are necessary for virtuosic playing and they also are great studys for intonation.
have fun!
From Anne Horvath
Posted on June 14, 2012 at 11:09 AM
I've been using "Collection of Original and Other Exercises Compiled for Daily Use" by Steven Staryk.

It is free online.

I don't do the whole cycle everyday, but a few exercises get the job done. The various fourths exercises are *especially* fantastic.

From Bohdan Warchal
Posted on June 14, 2012 at 08:02 PM
You wrote: "I am a intermediate violinist and have been reading that you should warm up before you start to practice."

Never trust what you "have been reading". You do not need to warm up before practice at all in fact. Why should you need? Do you warm up before driving your car? Before cooking a dinner?

From John Cadd
Posted on June 16, 2012 at 12:16 AM
Steady on Bohdan . We need to warm up or stretch or do something each day to keep it all loose. It`s a funny distinction to separate warming up and stretching . Warm up is just a broad general heading for what you do to prepare . If you don`t do it before you have to do it after or in between .
I used to cycle 10 miles to work and usually stretched my legs front and back before the early morning trip .Nothing to get too precious about .
From Bohdan Warchal
Posted on June 16, 2012 at 09:34 AM
I agree with you, John. Anyway, I am able to accept the idea of warming up before a preformance, but why to warm up before practicing?

Branden, I really believe it is the same as with many other jobs and activities. Did you ever feel you are not warmed up enough for driving a car? Maybe not, but I did. Last time I set out for the long journey on winding road during quite heavy traffic. But my head was still full of my job, I was still in my workshop mentally. I really felt that it would be dangeors to start by my usual tempo. This is why I simply decided to accept the the speed of the convoy, for about 15 minutes and so. I became concentrated during this time and I was able the overtake safely than. Anyway, I did not turn to the rest area and I did not not practice any driving excercies like in driving school. I simply warmed up during my way.

It is the same with violin playing. If one focus on the warming up, his/her play becomes more and more mechanical. Playing is about feelings primarily. You can memory the great feeling of your playing skills at the and of the day before you put the violin to the case. You can recall this feeling of effortlessness next morning again. It really works. Try it.
Recently I mentioned my experience with "warming up dependence" in my book about stage fright. I have to admit, I was also taught such a wrong way and I spent a lot of time to help my conservatory students to get rid of it later.
Believe me, you need to make nor any special excercises, neither even play scales at the beginning of the practice session. If you want to play scales, play them whan you are already fully warmed up to be able (sure) to play them correctly and with care.
As for the "waring up" at the beginning of your practicing session, simply choose rather easier reportoire, a bit slower tempo if necesary, maybe limit your dynamic ragne a bit for the first minutes in order to start playing relaxed right from the beginning.

From John Cadd
Posted on June 16, 2012 at 09:57 AM
That`s a good European angle on the subject Bohdan .
William Preucil at Juilliard

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