Playing violin with praise bandPerforming: What kinds of things are appropriate for a violinist to play with the band?
From Justin Koo
I'm playing violin in a praise band next week for a christian worship service. The band has 2 guitars, acoustic and electric, a bass, drums, and me on a miked classical violin, along with the singer and the congregation helping out. Since this is my first experience on stage outside of a classical setting such as solo, orchestra, quartet, etc.. I'm a little bit nervous.
There's no sheet music to speak of other than the lyrics with the guitar chords on them, which helps me little to none since my theory is quite weak.
Does anyone here have any ideas or experience with this kind of setting? I'm hoping i can figure out something useful to play rather than the melody or just a drone.
From Gary KrollHere are a few simple and very basic worship team ideas. 1. Feature the violin on the melody on one or more of the following: an introduction, verse, chorus, or bridge without vocals. 2. If any of the songs have repeated vocal phrases (men/women or leader/congregation) the violin can play along with one or the other. 3. Improvise a few notes in-between phrases. 4. Don’t try to play all the time. (Each member of the team should be sensitive to lay out at times.) 5. Vary your range. It often works to play in a range opposite the predominant vocalist. 6. Ask the leader for a recording in advance so you can improvise at home. 7. Search for lead sheets on the internet. 8. Have a servant’s heart. 9. Be a worshipper first and an instrumentalist second.
Posted on January 17, 2007 at 09:44 AM
From Valerie CoonA few things you can try --
Posted on January 17, 2007 at 09:37 AM
Often, for ideal building effects in songs, I'll start playing the melody with everyone, then go into harmony, then go up an octave doing some more harmony/rhythm things, then play the melody up an octave (maybe add a trill or turn here or there to keep it more interesting).
Hope that helps!
From Melissa BullGood for you for stepping out and trying something new! When my church first asked me to play with the worship team I was honestly sort of annoyed because I didn't know how to improvise at all, but several years later I enjoy doing it! I think it's sad how so many classical musicians are afraid to try this sort of thing, since the freedom and experimentation can help us in our regular playing.
Posted on January 17, 2007 at 09:46 AM
Here are some of my thoughts, which maybe others will disagree with, but hopefully it will help your juices start to flow.
*Keep in mind you don't have to play all the time - nor on every song - variety in instrumentation and texture is nice. This can also allow you time to enjoy your own church experience, as it might be hard when you're first starting to focus on anything other than what you're going to play next.
*Sometimes I'll simply play the alto or tenor harmony above or below the singer.
*Imagine creating the "string pad" sound of a keyboard - long sustained notes that change with the chord.
*Improvising violinists often have the same mistake - they forget to let the phrase breathe. Since we can play nonstop, we often do. When you start getting ideas for countermelodies or embellishments, let them come to their natural end and pause.
*Experiment with echoing - think of the beginning of the Christmas carol Silent Night - imagine the violin echoing the melody an octave higher on the held dotted quarter, adjusting the final pitch to fit the new chord on "All is calm". You can echo the exact melody, or try to add an afterthought.
*On upbeat songs, experiment with simple rhythmic arpeggios that outline the chord structure. Try out different rhythmic patterns on repeated notes.
*When I first started, I played a lot of scales and arpeggios - passing notes in harmony lines and such. If you play a note out of the chord, just fix it and move on - it's just dissonance and resolution that way :)
*I find that I can play around better when I know the song really well. If you listen to the songs, experiment with singing or vocalizing along to try out different ideas, it'll build your confidence and help you come up with things to play. Once you have something you like, don't be afraid to keep it. I definitely have created countermelodies for certain songs that I always play now.
*Listen to lots of recordings for ideas - take them wherever you can, from fiddlers, electric guitars, keyboard solos, choral arrangements, etc.
*Most important, don't be nervous. It takes practice like anything else, and you will get better at it over time. And you'll probably even get pretty good at reading a chord chart, since they all are pretty much the same :) Feel free to just go for it - the worst that can happen is it'll sound dumb, but people who go to a church with a praise team aren't usually listening to every note played with a critical ear, their attentions are elsewhere, and there's a lot of grace extended for mistakes. Try to always keep in focus who your first audience truly is!
Check out the postings as there was a recent discussion on how to learn to improv that might also help.
Hopefully that isn't too basic and can help you get started!
From Emily GrossmanNotes that are in tune. That's a start.
Posted on January 17, 2007 at 10:33 AM
I like what was said about not feeling like you have to fill all the spaces. If you don't know what note to play, listen to the bass line. For beginners, you can match the bass note. Then think of do-mi-so, built off the bass note. Those three notes are the most important ones. Everything else is ornamentation, whether passing tones or neighboring tones.
(some people advise to do as the Spirit leads, but denominational strife may ensue.)
When you first learn to play by ear, the melody is the easiest thing to figure out. You can play the melody and gradually venture onto new variations from there.
People already have written some good advice, so I'll quit now.
From LisaJo BorchersAs a long time Christian band coach and instrumentalist--the best advice is to listen. Test the waters. Don't try to play all the time.
Posted on January 17, 2007 at 06:05 PM
All bands have a variety of skill levels in their musicians. You want to see how the other members of the band react to your playing, to determine your role.
Playing chord members is always helpful--an old Jazz Saxophone player told me to just keep moving until I find a note that works with the chord.
The purpose of a praise band is to lead and enhance congregational singing. Often the violin can do that by playing lead-ins to the verses to signal to the congregation to start singing. Use triplets scales leading into verses.
Good luck and have fun. I have done this for years--and it does expand your horizon. I started playing Jazz about 10 years ago after years of orchestral work. All my interpretation is better. I really see the structure of classical pieces with much more clarity--
From Justin KooThanks to everyone who responded! I have been told by several friends who play in praise bands to avoid playing the melody. I like the echo idea.. I'll have to see if i can pull that off in rehearsal without throwing everyone else off. We're only rehearsing the night before, so I guess I'll just hope for the best.
Posted on January 17, 2007 at 08:12 PM
About playing the scales and arpeggios, I'll have a lyrics sheet with guitar chords, such as G, C, Em Etc... should I pay any attention to that as the scale to be in or should I just go by ear??
From sarah salmiHi, i'm a praise violinist as well, actually that's all i am.
Posted on January 18, 2007 at 11:55 AM
So my answer is to go by ear.
i once played with a classical violinist who asked in what chord the song was in as if that would be the only way to know what to play, but i think that it's dangerous because you can get stuck in the same place the entire song.
inprovisation is the way i have learned to play the violin so i know that almost anything works, just listen to the music and play and you will be amazed to see your hand moving from one place to the other and you have no idea if that tone you are heading for is going to sound right but 90 percent of the time it does.
I have noticed with myself two misstakes that are easy to make:
From Edward San MartinThanks for your amazing posts. I started playing electric and acoustic guitar by ear, playing on many worship teams, and learned violin by ear as well, and have been playing for over 30 years. As with lead guitar, a musician playing violin needs to pick the right places for arpeggios (or lead runs...please excuse the spelling). So you can play fast, Now learning how to create something beautiful. I believe the voices need to stand out. I once heard a beautiful piece of music, started with simple acoustic guitar and vocal, and then...out of nowhere came this beautiful violin solo....and then it was gone, leaving me wanting more. That is success, and what I want to learn to do! Great wisdom and experience evident in these posts!
Posted on May 5, 2012 at 09:07 AM
Good news! All the Suzuki Violin School CDs are available now as digital downloads on Amazon.com. But why take the time to search for them all? We've collected links to each album for Suzuki Violin Books 1 - 8.
We've compiled a list of some of the year's best new offerings from violinists for you to consider.
Please consider supporting Violinist.com by becoming a sponsor, and reaching our dedicated community of violin professionals, students and fans!