This is effectively part 3 but I'm retitling it because it's gone well beyond audition discussion.
At this continuation point in discussion, questions include:
Who plays in community orchestras and why?
How feasible are certain models for semi-pro orchestras?
What's the process to get into orchestras of various types?
What's the playing level like in various types of orchestras?
This discussion has been archived and is no longer accepting responses.
Violinist.com is made possible by...