From Albert Justice Posted from 4.249.222.49 on October 16, 2007 at 1:42 AM (GMT)
The quick bows you shared earlier helped my sp-control very noticeably!
From Stephen Brivati Posted from 210.172.213.190 on October 16, 2007 at 2:27 AM (GMT)
bloody hell. I wasn`t even in the room!;)
From Albert Justice Posted from 4.249.222.49 on October 16, 2007 at 3:38 AM (GMT)
Likely story.
From Emily Grossman Posted from 66.230.113.103 on October 17, 2007 at 6:26 AM (GMT)
Thanks Buri, that's a good, challenging exercise. And now I'm quite deaf.
From Rick Floress Posted from 198.240.130.75 on October 17, 2007 at 4:56 PM (GMT)
I have seen Pinkas Zuckerman twice (one time I was VERY close at a recital) and every time I would swear he is going to bow off of the tip of the bow or catch the from on the string. To me, he has the most amazing bow arm (I would like ti when he is done please).
From howard vandersluis Posted from 71.163.219.241 on October 17, 2007 at 8:13 PM (GMT)
Hey Buri,
So what do you make of the videos of Milstein on youtube? He looks as if he's playing relatively far away from the bridge a lot more than most and yet it's so gorgeous.
From Stephen Brivati Posted from 210.172.213.190 on October 17, 2007 at 10:31 PM (GMT)
Greetings, playing further from yhe bridge witha rapid bow speed is fairly typicla of players who use gut strings. Casal`s wa sa classic case. However, this doesn`t mena the player doesnT use slow speed near the bridge , it just becomes a contrasting color rtaher than the norm. For me, Milstein has the most touchingly perfetc sound of all time. Just enough of the uglies to be a human deity... Cheers, Buri
From Stephen Brivati Posted from 210.172.213.190 on October 17, 2007 at 10:42 PM (GMT)
Greetings, incidentally, most of the stuff on youtube is juts downloaded DVDs so it really pays to get the originals. Much more satisfying unless you are skiving off at work Cheers, Buri
From howard vandersluis Posted from 71.163.219.241 on October 19, 2007 at 4:38 AM (GMT)
Well... the youtube versions are plentiful enough that I could spend many a lazy afternoon at work watching various videos and never need to repeat. So why should I plant when mongongo nuts are free? Or something like that.
Yeah, I love Milstein's sound too, just not sure I understand how it works and I'm not sure I believe your "gut string" theory!
From Stephen Brivati Posted from 61.87.21.192 on October 19, 2007 at 8:02 AM (GMT)
Greetings, not a theory. Do your homework. Cheers, Buri
Comments
Posted from 4.249.222.49 on October 16, 2007 at 1:42 AM (GMT)
Posted from 210.172.213.190 on October 16, 2007 at 2:27 AM (GMT)
Posted from 4.249.222.49 on October 16, 2007 at 3:38 AM (GMT)
Posted from 66.230.113.103 on October 17, 2007 at 6:26 AM (GMT)
Posted from 198.240.130.75 on October 17, 2007 at 4:56 PM (GMT)
Posted from 71.163.219.241 on October 17, 2007 at 8:13 PM (GMT)
So what do you make of the videos of Milstein on youtube? He looks as if he's playing relatively far away from the bridge a lot more than most and yet it's so gorgeous.
Posted from 210.172.213.190 on October 17, 2007 at 10:31 PM (GMT)
playing further from yhe bridge witha rapid bow speed is fairly typicla of players who use gut strings. Casal`s wa sa classic case. However, this doesn`t mena the player doesnT use slow speed near the bridge , it just becomes a contrasting color rtaher than the norm. For me, Milstein has the most touchingly perfetc sound of all time. Just enough of the uglies to be a human deity...
Cheers,
Buri
Posted from 210.172.213.190 on October 17, 2007 at 10:42 PM (GMT)
incidentally, most of the stuff on youtube is juts downloaded DVDs so it really pays to get the originals. Much more satisfying unless you are skiving off at work
Cheers,
Buri
Posted from 71.163.219.241 on October 19, 2007 at 4:38 AM (GMT)
Yeah, I love Milstein's sound too, just not sure I understand how it works and I'm not sure I believe your "gut string" theory!
Posted from 61.87.21.192 on October 19, 2007 at 8:02 AM (GMT)
not a theory. Do your homework.
Cheers,
Buri