From Emily Grossman Posted from 209.193.46.4 on June 2, 2007 at 8:34 AM (GMT)
I don't know about the 90 mph garage metaphor, but I do like the bird metaphor. I can feel the tension releasing just by reading it.
From William Wolcott Posted from 68.226.59.163 on June 2, 2007 at 12:42 PM (GMT)
Some of my students are attending the camp in Ottawa, KS starting next Wednesday, and are lucky enough to have the opportunity to work with Mr. Lewis. Exciting! Thanks again, Laurie!
From Maura Gerety Posted from 68.229.240.78 on June 2, 2007 at 3:40 PM (GMT)
"We can't accent all the time or we'll sound like William Shatner"--classic! Made me laugh out loud. ;-)
From Jim W. Miller Posted from 172.193.108.47 on June 2, 2007 at 4:24 PM (GMT)
Alena Baeva wins Sendai violin competition! Complete video of performances available at Sendai website.
From Natasha Marsalli Posted from 4.235.199.82 on June 2, 2007 at 5:59 PM (GMT)
Thanks for posting! I especially enjoyed since I am looking at Mr. Lewis as a college instructor.
From Albert Justice Posted from 4.249.222.113 on June 3, 2007 at 2:45 AM (GMT)
Thanks Laurie--these are some of the only insights other than my basic work I'm getting at the moment, and your attention to details is much appreciated.
Taking notes, al
From Sydney Menees Posted from 65.27.32.247 on June 3, 2007 at 4:42 AM (GMT)
Haha! I can't believe you mentioned my teacher... and my other teacher (I have Brian this summer). Anyway, you're getting me excited for camp now and I've really been enjoying your entries!
From Ruth Kuefler Posted from 24.255.217.197 on June 3, 2007 at 10:21 PM (GMT)
Haha, that's classic Brian Lewis! He puts so much enthusiasm and fun into his teaching. I am also going to the camp in Ottawa mentioned above - can't wait to study with him again!
From Dessie Arnold Posted from 71.50.60.176 on June 4, 2007 at 2:56 AM (GMT)
Laurie, I'd be interested in hearing a more detailed description of how to do that Ysaye string crossing exercise. (i.e. describe, and how to apply it to a passage). That is, after you've gotten some rest after your most excellent adventure!
From Laurie Niles Posted from 75.4.230.46 on June 4, 2007 at 2:58 PM (GMT)
Hi Dessie,
It's just for getting better string crossings, practicing getting the elbow at each level.
The first one goes: Is all open strings and first fingers, ending with a 4 on the E: G....A DE AB EF#B......F#E BA ED AG.......
From Laurie Niles Posted from 75.4.230.46 on June 4, 2007 at 5:20 PM (GMT)
Comments
Posted from 209.193.46.4 on June 2, 2007 at 8:34 AM (GMT)
Posted from 68.226.59.163 on June 2, 2007 at 12:42 PM (GMT)
Posted from 68.229.240.78 on June 2, 2007 at 3:40 PM (GMT)
Posted from 172.193.108.47 on June 2, 2007 at 4:24 PM (GMT)
Posted from 4.235.199.82 on June 2, 2007 at 5:59 PM (GMT)
Posted from 4.249.222.113 on June 3, 2007 at 2:45 AM (GMT)
Taking notes,
al
Posted from 65.27.32.247 on June 3, 2007 at 4:42 AM (GMT)
Posted from 24.255.217.197 on June 3, 2007 at 10:21 PM (GMT)
Posted from 71.50.60.176 on June 4, 2007 at 2:56 AM (GMT)
Posted from 75.4.230.46 on June 4, 2007 at 2:58 PM (GMT)
It's just for getting better string crossings, practicing getting the elbow at each level.
The first one goes:
Is all open strings and first fingers, ending with a 4 on the E:
G....A DE AB EF#B......F#E BA ED AG.......
Posted from 75.4.230.46 on June 4, 2007 at 5:20 PM (GMT)
G....AB DEF# ABC EF#GB......GF#E CBA F#ED BAG....
The third one:
G....AB DEF#G ABCD EF#GAB......AGF#E DCBA GF#ED CBAG....
It ends up being a G major scale, with an A and B stuck on the end.