From Danielle Gauthier Posted from 207.200.116.198 on April 27, 2006 at 10:31 PM (GMT)
I'm just afraid that people will get the wrong message when I wear earplugs to a concert...I tried that once and people looked at me funny. Probably because it was my little sister's 5th grade band concert. And I covered my ears too.
From Pauline Lerner Posted from 70.108.50.231 on April 28, 2006 at 7:22 AM (GMT)
Bram, don't you need to listen to the sounds of the orchestra when you're playing in a concert? One time I walked out of a rehearsal because four trumpeters were playing just behind me and I got a very bad headache.
From Bram Heemskerk Posted from 84.246.30.146 on April 28, 2006 at 10:39 AM (GMT)
The volume of the whole orchestra is less and the hard sounds of the woodblowers and copperblowers is less. I even hear myself better, because the sound of my violin you can hear through your jawbone and your leftear is close to the violin. When the sound is growing (crescendo) I pull the earplugs deeper in my ears and when I have a rest I pull them a little bit out of my ear so I can regulate the sound without eardamage at later ages. There was a documentary on Dutch television called "the passion and the pain" about too much soundexposure for professional orchestra's and one double-bass player had become deaf and started to play on the wrong moments and had to leave the orchestra. Another 50-year ld professional cello-player had lost half of his hearing capacity. In an amateurorchestra we had a violinist of 72 who had to stop because he was too deaf to play. But he was an amateur, who plays violin in an orchestra once a week, so his soundexposure is less than a professional in a professional orchestra. A lot of professional orchestra have now sort of standing up transparant desk behind the 2th violinists behind and the viola's behind to protect those people against too much sound exposure during concerts and rehearsals and heavy fff forte soundpeaks of woo- and copperblowers and percussion. Also in 2 amateurorchestra's there is a violinist of 86 and a double-bass player of 90 with good eyes and ears who still can play very well at that age. So I hope I can still play and hear and see at that age.
From Pauline Lerner Posted from 70.108.50.231 on April 30, 2006 at 7:04 AM (GMT)
Bram, I never knew or even suspected that the problem was so bad in orchestras. I have known some violinists who played in my community symphony orchestra when they were in their 80s. I hope that you and I can do that, too.
Your friend, Pauline FlowerPower (I love that name you gave me.)
Comments
Posted from 207.200.116.198 on April 27, 2006 at 10:31 PM (GMT)
Posted from 70.108.50.231 on April 28, 2006 at 7:22 AM (GMT)
Posted from 84.246.30.146 on April 28, 2006 at 10:39 AM (GMT)
In an amateurorchestra we had a violinist of 72 who had to stop because he was too deaf to play. But he was an amateur, who plays violin in an orchestra once a week, so his soundexposure is less than a professional in a professional orchestra. A lot of professional orchestra have now sort of standing up transparant desk behind the 2th violinists behind and the viola's behind to protect those people against too much sound exposure during concerts and rehearsals and heavy fff forte soundpeaks of woo- and copperblowers and percussion.
Also in 2 amateurorchestra's there is a violinist of 86 and a double-bass player of 90 with good eyes and ears who still can play very well at that age. So I hope I can still play and hear and see at that age.
Posted from 70.108.50.231 on April 30, 2006 at 7:04 AM (GMT)
Your friend,
Pauline FlowerPower (I love that name you gave me.)