From Bill _ Posted from 216.238.112.88 on January 23, 2006 at 5:26 PM (GMT)
Bell seems to be a cool guy.
Go to his webite and listen to the "fiddle" stuff he did with Edgar Meyer, Sam Bush and Mike marshall. So Bell has some "crossover" or "pop" aspects. I think he seems genuinely interested in composition and music. Which may explain why he took your vc.'s with enthusiasm.
I don't understand the Rieu thing. Why is he so popular? What is the demographic that goes for him?
From ES The Paranoid Posted from 68.166.93.199 on January 23, 2006 at 5:56 PM (GMT)
65+ with blue hair.
From Karin Lin Posted from 198.182.56.5 on January 23, 2006 at 6:57 PM (GMT)
Thanks for the review, Bram, I'm watching him do most of the same program here in a few weeks. Joshua is a really nice guy and I'm not surprised he responded to your suggestions so graciously.
Ha ha, ES. :)
From Jim W. Miller Posted from 172.185.26.241 on January 23, 2006 at 9:20 PM (GMT)
Tell me about the violin in that picture.
From Carley Anderson Posted from 24.58.164.194 on January 24, 2006 at 5:17 PM (GMT)
What are v.c's, or vc.s, or however you spell them? Congrats on getting to see Bell. I got to watch him play Tchiakovsky once, and it was wonderful.
From Carley Anderson Posted from 24.58.164.194 on January 24, 2006 at 5:17 PM (GMT)
oh, never mind, I know now...violin cards, right?
From Bram Heemskerk Posted from 82.170.28.142 on January 24, 2006 at 9:57 PM (GMT)
v.c.'s are violinconcerto's. Sorry for the unclear abbreviation.
From Emily Grossman Posted from 66.230.100.108 on January 25, 2006 at 9:58 AM (GMT)
Is that the legendary Gumby Strad he's holding? I've never actually seen it before today. They say no one could play it like Gumby could, with both feet knotted around his head.
From Patty Rutins Posted from 12.33.242.15 on January 25, 2006 at 3:45 PM (GMT)
If you have to ask why people like Andre Rieu, you must never have seen his orchestra. His performances are so full of joy that they're contagious! It doesn't matter that they're playing pieces that you've heard a thousand times -- they're good pieces (or we wouldn't keep hearing them) and they all look like they're having so much fun that you just want to get up and join them.
If I wanted to travel around with an orchestra, I would definitely audition for Andre Rieu's orchestra. They're the only orchestra I know where you're allowed to smile on stage!
(I bet Andre Rieu hasn't played the Gumby Strad, though!)
From Bram Heemskerk Posted from 82.170.28.142 on January 25, 2006 at 5:47 PM (GMT)
From Sydney Menees Posted from 84.172.254.159 on January 27, 2006 at 1:51 PM (GMT)
That's cool that you give performers concertos, Bram. I wonder if he will record any of them...?
From Bram Heemskerk Posted from 82.170.28.142 on January 28, 2006 at 11:03 PM (GMT)
Yes, Icopied for Josh: Lalo op.20, op.29, Joachim2, Hubay3, H.W.Ernst, Godard1, Faure,Dohnanyi1 and 2, Lipinski2,3,4 , Kalowicz, Samuel Coleridge-Taylor and violinconcerto's of black composers of the 18th and 19th century, violinconcerto of Ysaye. And Violin/piano music of Vieuxtemps op.22 and op.53. But now I have a new tactic to promote rarities: I email all musicians I know, like national and international violinists with an email, professional- and amateurorchestra's in The Netherlands. Together with the attachments of sheetmusic of the soloviolinist of violinconcerto's in pdf (just under 1 Mbyte) Also I made a copy of a cd of that violinconcerto on the website of Amazon together with some soundsamples. Most violinists don't know these beautiful pieces, which you never hear in concerthalls and are hard to get on cd. Most violinists and orchesta's don't collect those rarities or go to libraries, like I do , to get this rare sheetmusic or to hire a rare violinconcerto on cd. There are also some people of violinists.com on my mailinglist. Who else more wants to join them? Also the manager of Joshua Leah is on my mailinglist. In the last 3 years she had react 2 times on mails about this stubject "rare violinconcerto's". I said to Joshua : when someone like you with a big name record some of my ratities, than they will become more popular and I think that when you will record Ysaye violinconcerto it will become as popular as Bruch1.
Comments
Posted from 216.238.112.88 on January 23, 2006 at 5:26 PM (GMT)
Go to his webite and listen to the "fiddle" stuff he did with Edgar Meyer, Sam Bush and Mike marshall. So Bell has some "crossover" or "pop" aspects. I think he seems genuinely interested in composition and music. Which may explain why he took your vc.'s with enthusiasm.
I don't understand the Rieu thing. Why is he so popular? What is the demographic that goes for him?
Posted from 68.166.93.199 on January 23, 2006 at 5:56 PM (GMT)
Posted from 198.182.56.5 on January 23, 2006 at 6:57 PM (GMT)
Ha ha, ES. :)
Posted from 172.185.26.241 on January 23, 2006 at 9:20 PM (GMT)
Posted from 24.58.164.194 on January 24, 2006 at 5:17 PM (GMT)
Posted from 24.58.164.194 on January 24, 2006 at 5:17 PM (GMT)
Posted from 82.170.28.142 on January 24, 2006 at 9:57 PM (GMT)
Posted from 66.230.100.108 on January 25, 2006 at 9:58 AM (GMT)
Posted from 12.33.242.15 on January 25, 2006 at 3:45 PM (GMT)
If I wanted to travel around with an orchestra, I would definitely audition for Andre Rieu's orchestra. They're the only orchestra I know where you're allowed to smile on stage!
(I bet Andre Rieu hasn't played the Gumby Strad, though!)
Posted from 82.170.28.142 on January 25, 2006 at 5:47 PM (GMT)
Posted from 84.172.254.159 on January 27, 2006 at 1:51 PM (GMT)
Posted from 82.170.28.142 on January 28, 2006 at 11:03 PM (GMT)
But now I have a new tactic to promote rarities:
I email all musicians I know, like national and international violinists with an email, professional- and amateurorchestra's in The Netherlands. Together with the attachments of sheetmusic of the soloviolinist of violinconcerto's in pdf (just under 1 Mbyte) Also I made a copy of a cd of that violinconcerto on the website of Amazon together with some soundsamples. Most violinists don't know these beautiful pieces, which you never hear in concerthalls and are hard to get on cd. Most violinists and orchesta's don't collect those rarities or go to libraries, like I do , to get this rare sheetmusic or to hire a rare violinconcerto on cd. There are also some people of violinists.com on my mailinglist. Who else more wants to join them? Also the manager of Joshua Leah is on my mailinglist. In the last 3 years she had react 2 times on mails about this stubject "rare violinconcerto's".
I said to Joshua : when someone like you with a big name record some of my ratities, than they will become more popular and I think that when you will record Ysaye violinconcerto it will become as popular as Bruch1.