From SAM MIHAILOFF Posted from 24.151.12.11 on May 23, 2009 at 5:22 AM (GMT)
another challenge confronting the 2nd violin is matching the tone,etc. of the first...the viola and cello are singletons.
From Eugene Chan Posted from 71.197.254.71 on May 23, 2009 at 7:08 AM (GMT)
Is that regularly as in regularly every piece, or regularly every bar? Because I'd really like to see the latter ;-)
From Royce Faina Posted from 69.145.235.90 on May 23, 2009 at 12:12 PM (GMT)
I like 1st since I can pick up on the melody of songs and just virtualy go by ear. I like 2nd since it gives body and holds the 1st up. It takes much more listening for me and I have to focuss more to play what is written to avoid playing what I think is too be played.
royce
From Karen Allendoerfer Posted from 173.48.253.159 on May 23, 2009 at 12:53 PM (GMT)
You should add viola as an option!
From Ruth Kuefler Posted from 68.103.50.46 on May 23, 2009 at 3:17 PM (GMT)
I agree with Karen. :)
I've played both parts equally, and while I like both, deep down I prefer 2nd violin. I like playing a more accompanimental role, and don't always enjoy the stress of being in the 'hot seat.' ;)
From Christopher Ciampoli Posted from 69.242.44.107 on May 23, 2009 at 6:11 PM (GMT)
In an orchestra I absouletely prefer violin 1. In a quartet however, I enjoy providing the "personal" level of support and groundwork if you will (not to say orchestras are impersonal but I think you get what I'm saying).
One of the other difficulties besides what has been mentioned is when the Violin II has a segment of material that needs to be brought out of the otherwise accompanying texture, it's quite a challenge to voice it seamlessly with the other players.
That being said, I like playing both first and second violin
And in response to the viola option, when my quartet worked on Dvorak No. 12 "American" the chamber coach (a violinist) said, "I think I've performed all the parts of this except the cello."
From Mark Heckler Posted from 75.11.156.26 on May 23, 2009 at 7:10 PM (GMT)
Both. Why limit yourself? :-)
Each provides challenges unique to that part, and switching between them just makes you a better and more versatile player.
What a great question!
Mark
PartTimeMusician.com
"A day job is there to support a playing addiction"
From Pauline Lerner Posted from 138.88.11.112 on May 24, 2009 at 2:31 AM (GMT)
Mark, I love your quote. I wonder whether the Germans have a word for it.
Comments
Posted from 24.151.12.11 on May 23, 2009 at 5:22 AM (GMT)
another challenge confronting the 2nd violin is matching the tone,etc. of the first...the viola and cello are singletons.
Posted from 71.197.254.71 on May 23, 2009 at 7:08 AM (GMT)
Is that regularly as in regularly every piece, or regularly every bar? Because I'd really like to see the latter ;-)
Posted from 69.145.235.90 on May 23, 2009 at 12:12 PM (GMT)
I like 1st since I can pick up on the melody of songs and just virtualy go by ear. I like 2nd since it gives body and holds the 1st up. It takes much more listening for me and I have to focuss more to play what is written to avoid playing what I think is too be played.
royce
Posted from 173.48.253.159 on May 23, 2009 at 12:53 PM (GMT)
You should add viola as an option!
Posted from 68.103.50.46 on May 23, 2009 at 3:17 PM (GMT)
I agree with Karen. :)
I've played both parts equally, and while I like both, deep down I prefer 2nd violin. I like playing a more accompanimental role, and don't always enjoy the stress of being in the 'hot seat.' ;)
Posted from 69.242.44.107 on May 23, 2009 at 6:11 PM (GMT)
In an orchestra I absouletely prefer violin 1. In a quartet however, I enjoy providing the "personal" level of support and groundwork if you will (not to say orchestras are impersonal but I think you get what I'm saying).
One of the other difficulties besides what has been mentioned is when the Violin II has a segment of material that needs to be brought out of the otherwise accompanying texture, it's quite a challenge to voice it seamlessly with the other players.
That being said, I like playing both first and second violin
And in response to the viola option, when my quartet worked on Dvorak No. 12 "American" the chamber coach (a violinist) said, "I think I've performed all the parts of this except the cello."
Posted from 75.11.156.26 on May 23, 2009 at 7:10 PM (GMT)
Both. Why limit yourself? :-)
Each provides challenges unique to that part, and switching between them just makes you a better and more versatile player.
What a great question!
Mark
PartTimeMusician.com
"A day job is there to support a playing addiction"
Posted from 138.88.11.112 on May 24, 2009 at 2:31 AM (GMT)
Mark, I love your quote. I wonder whether the Germans have a word for it.