When you last heard from me, I was feeling inspired to practice because of my new, fancy gown (see previous blog). I first wore the gown last month at a benefit concert my quartet, Seraphina, organized to raise funds for our travels. And late Sunday night (actually, early Monday morning) we returned from our journey to what is perhaps American's most well-known national chamber music competition – the Fischoff! (It took some time to explain to my dad that this was the Fischoff – not a "Fish Off". He was afraid we had all taken up fly-fishing. I guess the name sounds a little confusing.)
On the show with us was an amazing violin soloist, Siwoo David Kim, who lives in Columbus but studies in Chicago with Almita Vamos. Wearing my Roving Reporter hat, I interviewed Mrs. Vamos in a pre-produced piece which we played on the show. Also on the show was the all-boy quartet opus., who are local heroes in their city. With the opportunity to feature two teenage quartets, one all boy and one all girl, of course From The Top came through with its wacky humor and had us do a gender "Battle of the Bands" on the show Wednesday night. Seraphina played the second movement of Shostakovich's 8th quartet, and opus. (yes, that is the way they spell their name – pretty original!) played the 5th movement from Beethoven's Rasumovsky Quartet No.3. They were amazing! I won't reveal who won the "Quartet Feud"—you'll have to listen to the show to find out. But you could also read the Columbus Dispatch review.
We left early the next morning to catch our next flight to Indiana. The competition is held in South Bend, on the campus of Notre Dame University. We had fantastic, clear, sunny weather the whole time and the campus was green and beautiful with excellent music facilities.
The next day, Friday, we played our audition at 12:10. The auditions are like concerts, so anybody can watch. Our repertoire was the Shosti we played at FTT, plus its first movement; the first movement of the Haydn "Quinten" quartet (probably my favorite Haydn); the first movement of the Mendelssohn no. 13 in A minor; a Tango by Michael McLean, and the jazzy movement, "Don't Step on My Toes!" by Gwyneth Walker.
We played well for that audition. We were extremely nervous though! More nervous I think, than for any concert we've ever played. We wore our black and white dresses, and got photographed afterwards.
After our audition, we had the rest of the day to relax and practice. And that night, we got to know some of the other contestants in the hotel pool!
The next morning, all of the groups were called to a meeting in the audition where we had had our auditions the day before. The artistic director made a couple of announcements, and then, the moment we were all waiting for. He announced the groups who were progressing onto the next round. Seraphina's number for the competition was J9 (J standing for Junior), but it was not a terrible disappointment when he jumped from J8 to J11. We knew that we had played well at our audition, but it was also our first year, and we were looking more to benefit and learn as much as we could from the experience than try to go very far towards winning. We're young enough to return twice more (assuming we make it into the quarter-finals again!)
Out of the 24 groups, 12 made it onto the next round. Those who didn't advance got to play in master classes for some really spectacular people. We had ours with Eva Gruesser, and got a lot out of it. Satisfied, we got to relax and hang around with the other groups that didn't advance. Later that day were the semi-finals, where the twelve groups got to play for the second time. The Tabby twins and I went to watch (unfortunately my sister Madeline felt a little sick, so she stayed at the hotel.) The groups that performed in the semi-finals were great, and we got to see what other people our age are doing, and what the kind of work we need to do before next year is.
That night, there was a dressy dinner held by Fischoff on the campus of Notre Dame, and our entire entourage went. After eating, the artistic director announced the three groups from each category (Juniors, Senior Strings, and Senior Winds) that progressed onto the finals. The three from the Juniors were: the Vesta Trio (including a pianist who just got into Curtis along with her twin sister, and the concertmistress of the Aspen Orchestra), the Attacca Quartet (a group formed at NEC prep this year) and the Newman Quartet (the other group from Settlement. Philly represent!)
That night we spent a little more time in the pool, and the next morning we packed up and were out of the room by 12. We went to watch the finals, in which all groups again, played spectacularly. I would really hate to be a judge in that competition. How on earth can they ever decide!
We had to leave to catch our plane by a certain time, so we didn't get to stay for the awards ceremony. But, what do you know, our master class teacher Eva Gruesser was in the same terminal as us for the airport!
We arrived in Chicago for our connecting flight to Philly, which was delayed. So the Tabbys, Madeline and I spent some time walking around the airport, getting food (Cinnabon – mmmm…..) and, look who we happened to bump into walking around!
Two thirds of Time For Three! (Ranaan, the bassist, was stuck watching their luggage at the gate.) They were also going home to Philly, on a different airline. Hopefully, Seraphina will get some coaching time this summer with Ranaan, who offered after hearing us open them for a concert earlier this year.
So, all in all we had a blast this week. Yes, it would have been nice to make it a little further, but ultimately we feel we got more out of it this way – a master class with Eva Gruesser, another mini-master class with David Ying, and a chance to hear all these amazing young ensembles. We just can't wait for next year!
Galamian's Principles of the Violin
Long one of the standards for violin teachers and students, Ivan Galamian's Principles of Violin Playing and Teaching offers both principles and practice exercises to help develop violinists of all ages and abilities. This new edition includes a foreword by Sally Thomas.
Caeli Smith is from Philadelphia, Pennsylvania. Biography
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