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<title>Roy Sonne on Violinist.com</title>
<link>http://www.violinist.com/blog/Roy/</link>
<description>Roy Sonne's weblog on Violinist.com.</description>
<language>en-us</language>
<copyright>&#xA9; Roy Sonne</copyright>
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<title>Question for Drew</title>
<link>http://www.violinist.com/blog/Roy/200910/10586/</link>
<description>&lt;p&gt;Hello Drew,&lt;/p&gt;
&lt;p&gt;Having received the programs of your fall student recitals, let me first of all congratulate you on the high level of accomplishment that your students, in large numbers, have achieved.&lt;/p&gt;
&lt;p&gt;I notice that once again you have several students who performed the Haydn G Major Concerto. Obviously you find this a valuable teaching piece. In my own experience I have not found it to be of great value for my students, although I have taught it many times since it is often a required audition piece-- so I am wondering if you could help me gain some understanding. &lt;/p&gt;
&lt;p&gt;Which technical or stylistic issues do you find the Haydn Concerto addresses for your students?&lt;/p&gt;
&lt;p&gt;Which repertoire would the Haydn Concerto normally follow? And which repertoire would come next?&lt;/p&gt;
&lt;p&gt;If any other teachers would like to contribute their insights that would also be most welcome.&lt;/p&gt;
&lt;p&gt;Best wishes.&lt;/p&gt;
&lt;p&gt;Roy&lt;/p&gt;</description>
<pubDate>Wed, 28 Oct 2009 02:26:34 GMT</pubDate>
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<title>Alfred Cortot -- The greatest poet of them all !!</title>
<link>http://www.violinist.com/blog/Roy/20095/10064/</link>
<description>&lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=tdmq2objNGE"&gt;www.youtube.com/watch&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Alfred Cortot plays the Chopin Ballade in G Minor&lt;/p&gt;</description>
<pubDate>Tue, 05 May 2009 12:49:51 GMT</pubDate>
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<title>Kreisler plays Mozart Concerto #4</title>
<link>http://www.violinist.com/blog/Roy/20094/10046/</link>
<description>&lt;p&gt;Exquisite! Enjoy!&lt;/p&gt;
&lt;p&gt;http://www.youtube.com/watch?v=bcK0chMu40M&lt;/p&gt;</description>
<pubDate>Fri, 01 May 2009 02:25:07 GMT</pubDate>
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<title>Classical Cabaret in Pittsburgh</title>
<link>http://www.violinist.com/blog/Roy/20079/7589/</link>
<description>Dear friends and colleagues,&lt;P&gt;I'd like to invite you to a new kind of concert experience. It's called &lt;b&gt;"CLASSICAL CABARET"&lt;/b&gt;. It will take place at one of the most elegant night spots in town: &lt;b&gt;Cefalo's Restaurant and Nightclub&lt;/b&gt;. Seated at your table you will be able to eat, drink, socialize and enjoy a concert of Beethoven, Piazzolla and more.&lt;P&gt;&lt;b&gt;When:&lt;/b&gt;&lt;BR&gt;Thursday, October 11&lt;P&gt;&lt;b&gt;7:00—7:45  &lt;/b&gt;&lt;BR&gt;Arrive. Find a table. Meet and Greet. Order food and drink&lt;P&gt;&lt;b&gt;7:45—8:30&lt;/b&gt;  &lt;BR&gt;--Passacaglia for violin and cello.....Handel-Halvorsen&lt;BR&gt;--Café 1900 from Histoire du Tango.....Piazzolla&lt;BR&gt;--Serenade for String Trio.....Dohnanyi&lt;P&gt;&lt;b&gt;8:30—9:15  &lt;/b&gt;&lt;BR&gt;Relax. Socialize. Have a drink or a snack.&lt;P&gt;&lt;b&gt;9:15—10:00 &lt;/b&gt;&lt;BR&gt;--Trio in G Major, Op. 9 #1 .....Beethoven&lt;BR&gt;--Bordel 1930 from Histoire du Tango.....Piazzolla&lt;BR&gt;--Spanish Dance .....De Falla-Kreisler&lt;P&gt;&lt;b&gt;10:00—??  &lt;/b&gt;&lt;BR&gt;Enjoy&lt;P&gt;&lt;b&gt;Who:&lt;/b&gt;&lt;BR&gt;Roy Sonne ................................ violin&lt;BR&gt;Stephanie Tretick .......................viola&lt;BR&gt;Adam Liu....................................cello&lt;BR&gt;John Marcinizyn ......................guitar&lt;P&gt;&lt;b&gt;Where:&lt;/b&gt;&lt;BR&gt;Cefalo's Restaurant and Nightclub&lt;BR&gt;428 Washington Ave. -- Carnegie, PA 15106&lt;BR&gt;&lt;a href="http://clubcefalo.com"&gt;http://clubcefalo.com&lt;/a&gt;&lt;BR&gt;Check out the photo below&lt;P&gt;&lt;b&gt;Additional details:&lt;/b&gt;&lt;P&gt;For your enjoyment, we respectfully request that there be no talking while the musicians are performing.&lt;BR&gt;Cover charge — $10&lt;P&gt;Hoping to see you there on Thursday, Oct. 11&lt;P&gt;&lt;div align=center&gt;&lt;img src="http://i59.photobucket.com/albums/g304/roysonne/Cefalossmall.jpg"&gt;&lt;/div&gt;&lt;P&gt;&lt;BR&gt;</description>
<pubDate>Mon, 01 Oct 2007 03:28:56 GMT</pubDate>
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<title>Musical Quiz -- The Dancing Composers</title>
<link>http://www.violinist.com/blog/Roy/20079/7576/</link>
<description>&lt;BR&gt;&lt;div align=center&gt;&lt;img src="http://i59.photobucket.com/albums/g304/roysonne/DancingComposers.jpg"&gt;&lt;/div&gt;&lt;P&gt;#1 was a true gentleman. He helped his fellow musicians wherever he went. When #2 was a fugitive from justice #1 gave him refuge and helped him flee the country. He probably would have generously helped #5, had not the latter snubbed him. He was father-in-law to #2 and #4.&lt;P&gt;#5 once worked as a copyist for #2. Later on he published a “Manifesto” in which he blasted both #1 and #2. However he adored #3.&lt;P&gt;#4, strictly speaking, was not a composer although he was an important musical personage. He insulted everyone around him except for #2 who he revered. He forgave #2 for everything and there was indeed much to forgive. &lt;P&gt;#6 earned his living mainly as a music critic. His father-in-law founded the Smithsonian Institute in Washington, D.C.&lt;P&gt;#3 was universally beloved. His orchestra was the best in Europe in the mid-nineteenth century  — until the obnoxious #4 terrorized his own orchestra into playing even better. &lt;P&gt;#3 traveled to the United States where he conducted the what was then the world’s largest orchestra. His record was finally beaten by the Pittsburgh Symphony Orchestra in 1997.&lt;P&gt;#1 and #6 were both decisively inspired by #8. #5 also paid musical homage to him.&lt;P&gt;#7 was one of very few major composers who was neither a conductor nor a virtuoso performer. #1 wrote many transcriptions of his works. &lt;BR&gt;</description>
<pubDate>Wed, 26 Sep 2007 20:44:35 GMT</pubDate>
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